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SYNOPSIS | REVIEW | PRODUCTION NOTES | TRIVIA | PRESS | QUOTES | KIM NEWMAN ARCHIVE | MEDIA

Tomorrow Never Dies (1997)

Country of Origin: UK
Year of Production: 1997
Running Times: 119 mins
Format: Eastmancolor     DeLuxe     Rankcolor     Panavision     35mm     70mm (blow-up)
Ratio: 2.35:1
Sound: Dolby Digital     DTS 70mm (on 70mm prints only)     DTS

CREW

PRODUCTION
Production Companies: MGM-UA / Eon Productions
Production Executive: David Pope
Producers: Barbara Broccoli, Michael G. Wilson
Line Producer: Anthony Waye
Production Supervisor: Callum McDougall
Far East Production Supervisor: Philip Kohler
Production Manager: Janine Modder
Additional Production Managers: Tim Lewis, Gil Whelan, Rafael Cuervo
Production Co-Ordinators: Elena Zokas, Judy Britten, Patricia Douglas, Siobhan Lyons, Claudia Lang-Herfurth, Fernanda Echeverria, Bi Benton
Unit Manager: Iris Rose

SCRIPT
Screenplay: Bruce Feirstein

DIRECTION
Director: Roger Spottiswoode
Assistant Director: Gerry Gavigan
2nd Assistant Directors: Paul Taylor, Richard Styles
Additional Assistant Directors: Keith Young, Harry Boyd, Sompol Sungkawess, Charlie Sungkawess, Simon Emanuel, Patrick O'Hanlan, Niels Klamroth, John Locke, Sebastian Silva, Christopher Brosnan, Elliott Meddings, Jo Schotting, Olaf Lenmann, Julian De Ferluc
2nd Unit Director: Vic Armstrong
2nd Unit Assistant Director: Terry Madden

PHOTOGRAPHY
Director of Photography: Robert Elswitt
Underwater Photography: Pete Romano
Additional Photography: Eddie Collins
Aerial Photography: Adam Dale
Camera Operators: Ian Foster, Martin Kenzie, Tim Wooster, Peter Field, Sean Connor, Jamie Harcourt, Tom Sanders
Steadicam Operator: Keith Sewell
2nd Unit Cameraman: Jonathan Taylor
Camera Focus: Steve Burgess, Frank Elliott, Brad Larner, Robert Binnall, Jason Wrenn, John Gamble, John Marzano, John Fletcher, Cynthia Pusneck, Mike Evans
Loaders: Joe Wright, Chris Bain, Dean Morrish, Spencer Murray, Nigel Permane, Berndt Wiese, James Swanson
Camera / Crane Grips: Gary Pocock, Ken Atherfold, Ray Hall, Phil Kenyon, Jimmy Waters, Gary Hutchings, Ron Nicholls
Electrical Supervisor: John Higgins
Electrical Gaffers: Paul Stewart, Steve Costello, Bill Fogherty (Pocherty?), Barry Read
Electrician: Cephas Howard (uncredited)
Best Boys: Kevin Edland, David Moore, Steve Read, Mark Clark, Steve Harvey
Video Playback Operators: Don Brown, Scott Holland, Sean Moore, Simon Heck
Stills: Keith Hamshere
2nd Unit Stills: George Whitear
Additional Stills: Jill Maidment
Electrical Equipment: AFM Lighting
Cameras: Panavision Cameras and Lenses
Crane and Camera Mount Systems: Flying Cam, Wescam, Panavision Grips, Grip House, Gyrosphere, Unusual Rigging, Camera Revolutions Ltd
Colour: Rank Film Labs
Colour Prints: DeLuxe, Rank Film Labs
Laboratory: Rank Film Laboratories, Denham, UK
Stock: Kodak Eastman EXR 5248, Eastman EXR 5293, Kodak 5279, Kodak 5274

EDITING AND POST-PRODUCTION
Post Prod Supervisor: Michael Solinger
Post Prod Co-Ordinator: Jatinderpal Chohan
Post Prod Consultants: Pierre Guerin, Peter Englesson
Editors: Dominique Fortin, Michel Arcand
1st Assistant Editor / Visual Effects Editor: Andrew MacRitchie
2nd Assistant Editor: Ian Differ
Assistant Editor: Mark Sanger, Iain Erskine, Steve Pang, Gavin Buckley
Effects Editor: Peter Baldock, Peter Bond, Adrian Rhodes, Chips Paul
Apprentice Editor: Lucy Oliver (uncredited)
AVID Supplied By: Edit Hire

MUSIC
Music: David Arnold
James Bond Theme: Monty Norman
Songs: Sheryl Crow, Mitchell Froom (Tomorrow Never Dies); David Arnold, David McAlmont, Don Black (Surrender); David Arnold, Alex Gifford (Back Seat Driver); Isham Jones, Gus Kahn (It Had To Be You)
Songs Performed By: Sheryl Crow (Tomorrow Never Dies); k.d. lang (Surrender); David Arnold, Alex Giffords (Back Seat Driver); Simon Greenaway (It Had To Be You)
Songs Produced By: Mitchell Froom (Tomorrow Never Dies); David Arnold (Surrender); David Arnold, Alex Gifford (Back Seat Driver); Simon Greenaway (It Had To Be You)
Sheryl Crow appears courtesy of A&M Records
k.d. lang appears courtesy of Warner Brothers Records
Alex Gifford appears courtesy of Wall of Sound / DreamWorld Records
Orchestrations / Conducter: Nicholas Dodd
Music Editor: Dina Eaton
Assistant Music Editor: Dominic Gibbs
Music Contractor: Isobel Griffiths
Copyist: Vic Fraser
Score Recorded and Mixed By: Geoff Foster
Music Recorded At: Air Studios, London

SOUND
Boom Operator: Colin Wood, Andrew Griffiths
Sound Mix: Chris Munro
2nd Unit Sound Mix: Ian Munro
Supervising Sound Editor: Martin Evans
Assistant Sound Editors: Daniel Laurie, Christine Campbell, Robert Ireland
Dialogue Editors: John Cochrane, Nigel Mills
ADR Editor: John Ireland
ADR Mixing: John Bateman, Twickenham Studios; Lionel Strutt, DB Post
Foley Editor: Peter Holt, Christine Newell
Sound Re-Recording: Pinewood Studios
Sound Re-Recording Mixers: John Hayward, Graham Hartstone, Michael Carter, Richard Pryke

MAKE UP AND COSTUMES
Make Up Supervisor: Norma Webb
Make Up: Amanda Knight
2nd Unit Make Up / Hair Supervisor: Tricia Cameron
2nd Unit Make Up: Sallie Evans
Brosnan's Make Up: Bron Roylance
Hair Supervisor: Eithne Fennell
Hair: Lisa Tomblin, Betty Glasow
Pierce Bronson's Hair: Colin Jamison
Costume Designer: Lindy Hemming
Assistant Costume Designer: Maria Tortu
Brosnan Tailored and Clothed By: Brioni
Wardrobe Supervisor: John Scott
Wardrobe Mistress: Jenny Hawkins
Wardrobe Master: Colin Wilson
Wardrobe Assistants: Dan Grace, Livia Pascuddi, Berenice Wright, Lester Mills
Costumes: Angels

SPECIAL EFFECTS
Special Effects Supervisor: Chris Corbould
1st Unit Special Effects Floor Supervisor: Steve Hamilton
2nd Unit Special Effects Floor Supervisor: Andy Williams
Special Effects Crew: Paul Knowles, Roy Quinn, Nicholas Finlayson, Peter Notley, David Eltham, Paul Dunn, Dave Knowles, Rob Thomson, Norman Baillie, Andrew Smith, Steve Onions, Jamie Thomas, Brian Warner, Tim Willis, Paul Clancy, Darrell Guton, Shaun Rutter, Ian Lowe, Dave Keen, Ian Mitchell, Tom Murtagh, John Modder, Steve Knowles, Luke Murphy, Steve Lewis, Richard Todd, Richard Brown
Wire Effects Supervisor: Steve Crawley
Miniatures: John Richardson
Miniature Photography: Paul Wilson

Model Unit
Workshop Supervisor: Brian Smithies, Rick Thompson
Frigate Miniature: Bob Wilcox
Co-Ordinator: Rosie Richardson
Senior Technicians: Peter Aston, Nigel Brackley, Terry Bridle, Jim Machin, Greg Morgan, Ken Morris, Marcus Richardson, Paul Stephenson, Robbie Scott, Barry L. McQuary, Billy Dawson, Frank Pope, Don Jode
Technicians: Mark Beverton, Bryn Court, Kevin Gilmartin, James Smithes, Sean McConville, Peter Seymour Howell
Construction: Paul Hayes, Dave Westcott
Draughtsman: Julian Ashby

Visual Effects and Videographics Team
Producer: Maria Bryan
Supervisor: Bill Neill
Co-Ordinator: Sharon Lark
Art Director: Mark Bowey
Designers: Alec East, Gerald Daniels, James Stocks

Computer and Video Team
Supervisor: Justin Owne
Co-Ordinator: Gay Whelan
Senior Technicians: Peter Jones, Chris McBride
Technicians: Garry Twigg, Sean Woodward
Computer Network Administrator: David Wilson

Digital Effects
Digital Optical Effects: Cinesite (Europe) Ltd
Digital Effects Producers: Michael Elson, Martin Hobbs, Marcus Wells
Compositors: Matt Johnson, Colin Alway, Jonathan Neill, Sonia Calvert, Ed Hawkins,
Cristin Pescosolido, Charles Tait, Kat Szuminska, Dave Williams
Computer Graphics Animation: Nathalie Bude, Charles Cash, Dave Child, Pat Conran
Scanning and Recording Supervisor: Pete Williams
Technical Support (Cinesite): Keith Barton (uncredited)

Rushes Post Production
Digital Effects Producer: James Lamb
Compositing Editors: Ludd Fealy, Claire Pollock, Andrew Mortimer
Scanning / Recording: Jim Davey

Titles
Main Title Designer: Daniel Kleinman
Main Titles: Limelight, Framestore
End Titles and Opticals: General Screen Enterprises
Digital Projection: Presentation Services Ltd

DESIGN AND SET CONSTRUCTION
Production Designer: Allan Cameron
Art Directors: Stephen Scott, Giles Master, Tony Reading, Jonathan Lee, Ken Court
Assistant Art Director: Ted Ambrose
Buyer Department Head: John Dyer
Set Decorator: Peter Young
Buyer: Ron Quelch
Additional Set Decorators / Buyers: Rosalind Shingleton, John Lanzer, Richard Roberts
Supervising Dressing Props: Derek Ixer, Les Benson, Dave Hudson
Chargehand Standby Property: Joe Dipple, Clive Wilson
Property Stores: Charles Ixer, Fabian Teiger
Standby and Dressing Props: Colin Thurston, Ron Higgins, Gordon Billings, Dave Cheesman, Paul Cheesman, Kevin Herbert, Rene Knol, Brian Lofthouse, Neil Murrum, John Palmer, Eric Strange
Construction Department Head: Alan Taylor
Construction Co-Ordinator: Ray Barrett
Assistant Construction Co-Ordinator: Kevin Harris
Assistant Construction Manager: Trevor Dyer
Prop Master: Tony Teiger
Storyboard Artist: Martin Asbury, John Greaves
Concept Illustrator: Dominic Lavery
Draughtsmen: Roger Bowles, Matt Gray, Andy Nicholson, Mike Stallion, Paul Kirby
Painting Department Head: David Meeking
Stagehand Department Head: Peter Wells
2nd Unit Standby Stagehand: Paul Ladd (uncredited)
Plasterer Department Head: Paul Tappin
2nd Unit Standby Plasterer: Bewley Mark (uncredited)
Rigger Department Head: Frederick Crawford
2nd Unit Stand-By Rigger: Les Beaver (uncredited)
Art Department Assistant: James Foster, Kate Grimble, Simon Wood, Alex Smith, Alex Cameron
Co-Ordinator: Katrina Duce
Site Maintenance Services: Delta Doric

LOCATIONS
Locations: Eon Studios, Frogmore, Herts; Leavesden, Hertfordshire, England, UK; Rosarito, Baja California, Mexico (naval sequences); Paris, France; Hamburg, Germany; Westin Banyan Tree Hotel, Bangkok, Thailand; Florida, USA; Brent Cross Shopping Centre, Golders Green, London, England, UK (car park chase sequence); HMS Dryad, Portsmouth, Hampshire, England, UK (interior of UK Navy vessels); IBM Bedfont Lakes, Middlesex, England, UK (cocktail party sequence); New College, Oxford, Oxfordshire, England, UK (exterior of language tutor's room, Oxford University); Plymouth, England, UK; RAF Lakenheath, Suffolk, England, UK; RAF Mildenhall, England, UK; St Albans, Hertfordshire, England, UK
Studio: Pinewood Studios, Iver Heath, Buckinghamshire, England, UK; Fox Studios, Baja California, Mexico
Location Production Managers: Terry Bamber, John Bernard, Leonhard Gmur, Neil Ravan
Location Consultants: Santa Pestonji (?), Nigel Goldstack, Kanzaman S.A.M. (?), Anna Roth
Location Managers: Richard Sharkey, Russell Lodge, Philip Roope, Simon Marsden, Gille Castera, Gunther Gutersloh, Colette Huley, Sonchu
Assistant Location Manager: Jo Beckett, Jean-Marie Peraldi, Gilles Charyn

MISCELLANEOUS
Script Supervision
Script Supervisor: Angela Wharton
Additional Script Supervisors: Suzanne Clegg, Laura Goulding, Sue Field
Supervising Production Accountant: Andrew Noakes
Accountant: John Roebuck
Cast Accountant: Jill Ryan
Location Accountants: Douglas Noakes, Penelope Robinson, Roberta L. Asman, Armando Amadaor
Accounts Department: Joyce Noakes, Ingrid Simmonds, Steve Barry, Sarah Stiff, Louissa Murrell
Publicity and Marketing: Gordon Arnell
Danjaq Vice-President of Marketing: John Parkinson
Unit Publicist: Geoff Freeman
Publicity Assistant: Amanda Schofield, Meg Simmonds, Patricia O'Reilly, Wendy Dixon
Studio Manager: Jeremy Pelzer
CFC Studio Manager: Pete Hanson (uncredited)
Floor Runners: Lee Tailor, Saloun N'Jie (?), Richard Newman
Production Runners: Grencille Bartlett, Sarah Waldron, Matthew Baker, Sarah Morrell
Production Assistant: Virginia Murray
Assistant to Producer: Celia Irvin
Assistant to Spottiswoode: Emma Horton
Assistant to Line Producer: Chloe Barbier
Assistant to Brosnan: Adrian Bell
US Contact: Michael Tavares
United Artists Representative: Marge Rowland
US Department of Defence: Philip Strub
US Air Force Technical Advisor: Lt Col Bruce L. Gillman
Project Officer: Charles E. Davis
Aerial Advisor: Mike Woodley
Armourers Supplied By: Baptys
Armourers: Charlie Bodycomb, Paul Stentford (?), Dale Clarke
Fire and Safety: David Deane Associates
Unit Nurses and Medical Services: Alison Bage, Kirsty Tisdell, Ros Bennett, Promeo
Insurance: Aon / Albert G. Ruben
Aerial Safety: Steve North, Jake Brake, Harry O'Connor
Transport Co-Ordinators: Tony Bradley, Arthur Dunne, The Travel Company, Renown Freight Ltd, Lays International, Lee Lifting, Translux, Location Facilities, Studio Workshops
Vehicle Backup: Freddie Wilkington, Darren Litten, Bickers Action, Christoph Dettweiler
Pilots: Tony Smith, Mark Hanna, Rolf Meuh, David Arkell, Patrick Piallat (?), Ed Behne,
Ladsilav Snydr, Nitas Prasit, Robert Flemming, Fernando Gallegos
Aerial Engineers: Ray Thomas, Tom Clode, Wayne Fuller, Brian Brown, Vladimir Kvarda,
Jiri Tresnak, The Edwards Brothers
Aerial Co-Ordinator: Stephane Brugnolo
Location and Studio Catering: Busters Catering
Marine Co-Ordinator: Pat Nash
Underwater Facilities: Hydroflex, Effects Associates, Doug Green

ACKNOWLEDGMENTS
Thanks To: Products and Services Supplied By: David Morris International Ltd; Gateway 2000 Computers; Aero Vodochody Ltd; Eurocopter; Ericsson; Socata Groupe Aerospatiale; Sensible Music; ITN Archive; Euphonic; Intel; PRDQUP (?) Rentals Ltd
Thanks To: All the construction crew; Brent Cross Shopping Centre; The Corporation of London; City of London Police; Harmsworth Quay Printing Ltd; West Ferry Printers Ltd; Herts Film Link; London Film Commission; US Department of Defence and the US Air Force; The Ministry of Defence, London; Directorate of Public Relations, Royal Navy; HMS Westminster; HMS Dryad; US Air Forces in Europe; US Air Force Special Operations Command; 35th Fighter Wing, RAF Lakenheath, UK; 100th Air Refueling Wing, RAF Mildenhall, UK; 352nd Special Operations Group, RAF Mildenhall, UK; The Kingdom and people of Thailand; the citizens of Petresdurde and Luchion; the citizens of Hamburg; BMW AG; Bollinger Champagne; Pennicott Payne Ltd

STUNTS
Stunt Co-Ordinator: Vic Armstrong
Stunt Supervisor: Dickey Beer
Stunts: Wayne Michaels, Wendy Leech, Mark Southworth, Daniela Biernat, Joren (?) Casares, Julian Spencer, Lee Sheward, Jim Dowdall, Ray De-Haan, Richard Bradshaw, Romo Gorrara, Tom Delmar, Rocky Taylor, Terry Richards, Neil Finnighan, Theo Kypri, Phil Lonergan, David Forman, David Cronnelly, Tony Lucken
Hong Kong Stunt Team Arranger: Philip Kwok
Hong Kong Stunt Team: Yeung Tak Ngai, Tang Chu Yau, Ling Chi Wah, Yick Tin Hung,
Chu Cho Kien
Motorcycle Stunts: Jean-Pierre Goy
Special Driver: Steve Griffin
HALO Jump Co-Ordinator: B.J. Worth
Aerial Co-Ordinator: Marc Wolff

CASTING
Casting: Debbie McWilliams
US Casting: Janet Hirshenson, Jane Jenkins
Far East Casting: Pat Pao
Crowd Casting: Ray Knight, Zo-Po (?)
Casting Assistant: Shaheen Bang (?)

CAST
Pierce Brosnan (James Bond)
Jonathan Pryce (Elliot Carver)
Michelle Yeoh (Wai Lin)
Teri Hatcher (Paris Carver)
Ricky Jay (Henry Gupta)
Gotz Otto (Stamper)
Joe Don Baker (Wade)
Vincent Schiavelli (Dr Kaufman)
Judi Dench (M)
Desmond Llewellyn (Q)
Samantha Bond (Miss Moneypenny)
Colin Salmon (Robinson)
Geoffrey Palmer (Admiral Roebuck)
Julian Fellowes (Minister of Defence)
Terence Rigby (General Bakharin)
Ceclia Thompsen (Professor Inga Bergstrom (?))
Nina Young (Tamara Steel)
Daphne Deckers (PR lady)
Colin Stinton (Dr Dana Greenwalk (?))
Al Matthews (Master Sergeant 3)
Mark Spalding (stealth boat captain)
Bruce Alexander (HMS Chester captain)
Anthony Green (HMS Chester firing officer)
Christopher Bowen (Commander Richard Day)
Andrew Hawkins (Lt Cmdr Peter Home)
Dominic Shaun (HMS Devonshire Lt Cmdr)
Julian Rhind-Tutt (HMS Devonshire yeoman)
Gerard Butler (HMS Devonshire Leading Seaman)
Adam Barker (HMS Devonshire sonar)
Michael Byrne (Admiral Kelly)
Pip Torrens (HMS Bedford captain)
Hugh Bonneville (HMS Bedford air warfare officer)
Jason Watkins (HMS Bedford principal warfare officer)
Eoin McCarthy (HMS Bedford yeoman)
Brenda Coyle (HMS Bedford Leading Seaman)
David Ashton (First Sea Lord)
William Scott-Masson (staff officer 1)
Laura Brattan (staff officer 2)
Nadia Cameron (Beth Davidson)
Liza Ross (Mary Golson)
Hugo Napier (Jeff Hobbs)
Rolf Saxon (Philip Jones)
Vincent Wang (Mig pilot)
Philip Kwok (General Chang)
Minna Aaltonen (newsreader - uncredited)
Michael G. Wilson (Tom Wallace - uncredited)

STAND-INS
Double for Brosnan: Douglas James (uncredited)

PLOT SUMMARY

James Bond is assigned to find out why the Chinese air force attacked and sank a British frigate in international waters. His investigations lead him to the tele-communications magnate Elliot Carver whose plans for a global satellite TV news network could lead to nuclear war... (Full Synopsis)

CAPSULE REVIEW

Better than many have made it out to be, Tomorrow Never Dies is Brosnan's most energetic Bond thus far - packed to the gills with action, one-liners and not-so-subtle sexual innuendo, the only thing it lacks is a strong villain, thus far the bane of Brosnan's incarnation of 007. (Full Review)

AVAILABILITY

Germany
Theatrical Distributor: United International Pictures

Portugal
Theatrical Distributor: Lusomundo

Spain
Theatrical Distributor: United International Pictures

UK
Theatrical Distributor: United Artists
Video Distributor: MGM
DVD Distributor: DVD

USA
Theatrical Distributor: United Artists

CENSORSHIP HISTORY

Australia
Rating: M

Finland
Rating: K-14

France
Rating: U

Germany
Rating: 16

Netherlands
Rating: 12

Norway
Rating: 15

Portugal
Rating: M / 12

Spain
Rating: 13

Sweden
Rating: 15

UK
Rating: 12
All versions are slightly trrimmed, losing a brief shot where Michelle uses a shuriken (the kung fu throwing star). For many years, the depiction of certain martial arts weapons were frowned upon by the BBFC, the ruling to automatically excise any such scenes only being overturned in 2000. They also objected to a head-butting scene.

USA
Rating: PG-13

TIMELINE

1997
December

10: UK - premiere
12: Iceland - theatrical release
12: UK - theatrical release
13: Portugal - premiere
16: Spain - theatrical release
17: France, Kuwait, Switzerland (French speaking region) - theatrical release
18: Germany, Hungary, Lebanon, Netherlands, Slovenia - theatrical release
19: Austria, Canada, Denmark, Finland, Israel, Norway, Portugal, Russia, Sweden, Switzerland (German speaking region), USA - theatrical release
23: Italy - theatrical release
24: Singapore - theatrical release
26: Australia, Estonia, New Zealand - theatrical release

1998
January

1: Czech Republic, Slovakia - theatrical release
9: Greece - theatrical release
15: Argentina - theatrical release
16: Brazil, Mexico, Poland - theatrical release
22: Hong Kong - theatrical release
24: South Korea - theatrical release
24: Taiwan - theatrical release

March
6: Thailand - theatrical release
14: Japan - theatrical release

November
16: UK - video release

December
15: UK - TV broadcast (Sky Movies)

1999
October

13: UK - TV broadcast (ITV)

POSTER TAGS

Yesterday is a memory, today is history, tomorrow is in the hands of one man: Bond...You know the rest!

An act of violence. The promise of war. Now the world has only one chance for peace, and just one man for the job.

The name's Bond... You know the rest.

ALTERNATIVE TITLES

Shatterhand
Shamelady

Bond 18 - early title
Tomorrow Never Lies - early title
Il Domani non muore mai - Italian title
James Bond 007 - Der Morgen stirbt nie - German title
Demain ne muert jamais - French title

LINKS

SEQUEL TO
Dr No (1962)
From Russia with Love (1963)
Goldfinger (1964)
Thunderball (1965)
You Only Live Twice (1967)
On Her Majesty's Secret Service (1969)
Diamonds Are Forever (1971)
Live and Let Die (1973)
The Man with the Golden Gun (1974)
The Spy Who Loved Me (1977)
Moonraker (1979)
For Your Eyes Only (1981)
Octopussy (1983)
Never Say Never Again (1983)
A View to a Kill (1985)
The Living Daylights (1987)
Licence to Kill (1989)
Goldeneye (1995)

SEQUELS
The World Is Not Enough (1999)
Die Another Day (2002)

SEE ALSO
The Thief of Bagdad (1924)
Star Wars: Episode V - The Empire Strikes Back (1980)
Free Enterprise (1998)
Austin Powers: The Spy Who Shagged Me (1999)
Tomorrow Never Dies (1999)

FOOTAGE INCLUDED IN
Highly Classified: The World of 007 (1997)
The James Bond Story (1999)
Premiere Bond: Die Another Day (2002)
The Secrets of 007: The James Bond Files (1997)

REFERENCES

PERIODICALS

A Capital, Guia TV 17 July 1998
review (by Rui Brazuna)

Cinefantastique April 1998 (v29 n12) p.55
illustrated review, credits

Diário de Notícias 18 December 1997
review (by Nuno Henrique Luz)

Diário de Notícias, Programas 19 December 1997
review (by José De Matos-Cruz)

Empire February 1998 p.36
illustrated review by Andrew Collins, credits

Empire July 1998 p.112
review (by Ian Nathan)

Empire December 1998 p.146

Empire January 1999 p.147
illustrated review

Film Review January 1998 pp.36-41
illustrated interview

Film Review February 1998 p.18
review (by James Cameron-Wilson)

Film Review July 1998 p.72
illustrated review

Film Review Special 22 Yearbook 1997 / 1998 p.96
illustrated review

Neon February 1998 pp.84 - 85
illustrated review

Premiere (France) January 1998 p.32
review (by Éric Libiot)

Radio Times 9 October 1999 p.63
illustrated review

Screen International 23 January 1998 pp.31-34
illustrated article

Screen International 1 May 1998 p.12
illustrated note

Sight and Sound January 1998 p.4
article

Sight and Sound February 1998 pp.52-53
illustrated review by Jose Arroyo, credits, synopsis

Studio January 1998 p.12
review (by Laurent Tirard)

Svenska Dagbladet 19 December 1997
review (Mediemogul ny Bondskurk by Astrid Söderbergh Widding)

Total Film November 1997 p.62

Total Film December 1997 pp.20-21

Total Film January 1998 p.88
review (by Max Kalba)

Vanity Fair November 1999 pp.136-141
illustrated article

KEYWORDS

james bond, media, ships, stealth weapons, satellites, television, underwater, wrecked ships, helicopters, motorcycles

 


Last Updated: 17 January, 2010

 


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