Sleepy Hollow (1999)

Country of Origin: USA
Year of Production: 1998 - 1999
Running Times: 102 mins (Netherlands; New Zealand) 103 mins (Argentina) 105 mins (France; USA) 106 mins (Japan; Norway; UK)
Format: colour 35mm
Ratio: 1.33:1 (negative ratio) 1.85:1 (intended ratio)
Sound: DTS Dolby Digital

PRODUCTION
Production Companies; KAROL Film Produktions GmbH & Co. KG / Mandalay Pictures / Paramount Pictures
Executive Producers: Francis Ford Coppola, Larry Franco
Line Producer (New York): Celia Costas
Producers: Scott Rudin, Adam Schroeder
Co-Producers: Andrew Kevin Walker (uncredited), Kevin Yagher
Associate Producer: Mark Roybal
Unit Production Manager: Dusty Symonds
Unit Production Manager (New York): Jan Foster
2nd Unit Unit Manager: Ben Link
Production Supervisor: Ramona Diaz-Sanchez
Production Co-Ordinator: Lorraine Fennell
Assistant Production Co-Ordinator: Samantha Black
Production Co-Ordinator (New York): Shirley Davis
Assistant Production Co-Ordinator (New York): Steve Ginsburg (uncredited)
2nd Unit Production Co-Ordinator: Vicki Harvey-Piper

SCRIPT
Script: Andrew Kevin Walker
Screen Story: Kevin Yagher, Andrew Kevin Walker
Story: The Legend of Sleepy Hollow by Washington Irving

DIRECTION
Director: Tim Burton
2nd Unit Director: Alan Munro
1st Assistant Director: Chris Newman
1st Assistant Director (New York): Thomas A. Reilly
2nd Unit 1st Assistant Director: Edward Brett
2nd Assistant Director: Ben Howarth
2nd Assistant Director (New York): Patrick J. Mangan
2nd Unit 2nd Assistant Director: Trevor Puckle
3rd Assistant Director: Janet Nielsen

PHOTOGRAPHY
Director of Photography: Emmanuel Lubezki
Director of Photography (New York): Conrad Hall
2nd Unit Directors of Photography: Conrad Hall, Peter Hannan
Assistant Chief Lighting Technician: Kevin Edland
Camera Operator: Nigel Willoughby
Camera Operators (New York): Bruce Mac Callum, Pat Capone
2nd Unit Camera Operator: Bob Smith
2nd Unit Best Boy Electric: Brian Martin
Clapper Loader: Miles Proudfoot
2nd Unit Clapper Loader: Oliver Loncraine
Colour Timer: Jim Passon
Electrician: Neil Munro (uncredited)
Focus Puller: David Morgan
2nd Unit Focus Puller: John Bailie, John Ferguson
Gaffer: John Higgins
Gaffer (New York): Gene Engels
2nd Unit Gaffer: Micky Wilson
Rigging Gaffer: Paul Stewart
Rigging Gaffer (New York): Billy Hines
1st Company Grip: New York: George Patsos
Grip: Rohan Berry Crickmar (uncredited)
Grip (New York): Todd Macnicholl
2nd Unit Grip: Tony Cridlin
Key Camera Grip: Kevin Fraser
Rigging Grip (New York): Billy Patsos
Video Assist Operator: Martin Ward (uncredited)
Stills: Clive Coote
Lead Person (New York): Philip Canfield
Panaflex Cameras and Lenses: Panavision
Raw Stock: Eastman Kodak
Lighting: Lee Lighting Ltd
Colour: DeLuxe

EDITING AND POST-PRODUCTION
Post-Production Supervisor: David Dresher
Editors: Chris Lebenzon, Joel Negron
1st Assistant Editor (UK): Jamie Pearson
1st Assistant Editor: Glenn Allen
Assistant Editors (UK): Nadia Naimi, Ray Lau, Sue Bodnar
Apprentice Editor: Meredith Apel
Negative Cutter: Dana L. Marker
Assistant Cutter: Dominic Young

MUSIC
Music: Danny Elfman; Hesperos (The Swallow / The Colly Flower; Argeers)
Orchestrators: Albert Olson, Conrad Pope, David Slonaker
Additional Orchestrators: Marc Mann, Mark McKenzie, Steve Bartek
Conductor: Allan Wilson
Music Editor: Ellen Segal
Assistant Music Editors: Joe Lisanti; Jennifer Nash (uncredited)
Preview Music Editor: Nic Ratner
Music Score Co-Ordinator: Craig Anderson
Score Mixer / Recording / Re-Recording Mixer: Shawn Murphy
Music Contractors: Andy Brown, Isobel Griffiths
Choir Contractor: Jenny O'grady
Music Preparation: Julian Bratolyubov, Ron Vermillion, Vic Fraser
Music Production Supervisor: Graham Walker
Music Production Co-Ordinator: Liz Schrek
Adult Choir: Metro Voices
Boys Choir: The London Oratory School
Soundtrack Available on Hollywood Records

SOUND
Sound Recordist: Harry Higgins, Bob Olari
Sound Mixer: Tony Dawe
Sound Mixer (New York): Gary Alper
Sound Re-Recording Mixers: Lee Dichter, Robert Fernandez, Skip Lievsay, Frank Morrone
Re-Recorded At: Sound One Corporation; Todd-AO Studios
Boom Operator: Chris Gurney
2nd Boom Operator: Jaya Bishop (uncredited)
2nd Boom Operator (Cable Man): Steve Mayer (uncredited)
Supervising Sound Editor: Skip Lievsay
Assistant Sound Editors: Chris Fielder, Dave B. Flynch, Ruth Hernandez, Bill Orrico
Sound Effects Editors: Richard L. Anderson, Craig Berkey, Sean Garnhart, Lewis Goldstein, John Pospisil, Paul Urmson
Sound Effects Librarian: Allan Zaleski (uncredited)
Foley Recording: Linda Lew
Foley Mixers: Jim Ashwill, Randy K. Singer
Supervising Foley Editor: Thomas Small
Foley Editors: Scott Curtis, Michael Dressel, Tammy Fearing, Matthew Harrison
Foley Artists: John Cucci, Robin Harlan, Sarah Monat, Dan O'Connell
Digital Foley Editing At: Paramount Pictures
Foley Recorded At: One Step Up; Paramount Pictures
ADR Mixers: Bob Baron, David Boulton, Ted Swanscott
ADR Editors: Lisa J. Levine, Marissa Littlefield
Dialogue Editors: Todd Milner, Fred Rosenberg
Dolby Stereo Sound Consultant: Brad Hohle
Utility Sound: David Acord (uncredited)

MAKE UP AND COSTUMES
Make Up / Hair Designer: Peter Owen
Key Make Up / Hair: Paul Gooch, Liz Tagg
Make Up / Hair: Tamsin Dorling, Astrid Schikorra, Kirsty Stanway
Key Make Up (New York): Bernadette Mazur
Make Up (New York): Don Kozma
Make Up: Leda Shawyer (uncredited)
2nd Unit Make Up / Hair: Sue Parkinson
Costume Designer: Colleen Atwood
Assistant Costume Designer: Morgan Elliott
Costume Maker: Dale Wibben
Costumer for Headless Horseman: Alix Harwood
2nd Unit Costumer for Headless Horseman: Philip Goldworthy
Wardrobe Supervisor: Suzie Turnbull
Wardrobe Supervisors (New York): Ingrid Price, Joanna Brett
Wardrobe Master: Anthony Brookman
Wardrobe Mistress: Lou Durkin

SPECIAL EFFECTS
Special Effects Supervisor: Joss Williams
Special Effects Supervisor (New York): Ron Ottesen
Special Effects Assistant Supervisor: Michael Dawson
Special Effects Co-Ordinator: Carmila Gittens
Special Effects Technicians: Jonathan Angell, John Brown, Manex Efrem, Rodney Fuller, Kenneth Gittens, John Holmes, Matthew Horton, Brian Morrison, Roger Nichols, Stephen Paton, Matt Roberts, Gareth Wingrove (uncredited)
Special Effects (Trailer): Jennifer Law-Stump (uncredited)
Special Effects Modellers: David Allum, Derek Tomblin
Digital Main Titles: Digiscope
Opticals / End Titles: Pacific Title/Mirage

KEVIN YAGHER PRODUCTIONS CREW
Human / Creature Special Effects: Kevin Yagher Productions
Creature Effects Co-Ordinator/ Human Creature Special Effects: Kevin Yagher Studio Manager: Mark C. Yagher

KEVIN YAGHER PRODUCTIONS UK CREW
Effects Supervisor: Gary Tunnicliffe
Fabricator: Day Murch
Foam Technician: Andy Lee
Hair Technicians: Sarah Brunsdon, Andrea Hochgatterer-Kowland
Laboratory Technicians: , Grant Mason, Justin Pitkethly, Stephen Bettles
Mechanical Designers: Jason Reed, Tamzine Hanks
Mold Makers: Barry Best, Brian Best, Jonathan Klahk
Production Assistants: John Lambert, Claire Jane Deacon
Sculptors: Howard Swindell, Kate Murray, Shaune Harrison, Graham High, Kate Hill

KEVIN YAGHER PRODUCTIONS USA CREW
Effects Supervisor: Mitch Coughlin
Feather Fabricators: Zachariah Cveticanin, Pamela Cveticanin
Hair Technician: Jill Crosby
Laboratory Technician: Tony Matijevich
Mechanical Designers: Johhny Spence, David Miner Jr, Evan Brainard
Mold Makers: Frank Diettinger, Tony Acosta Jr
Production Assistants: Eric Acosta, Rebecca Fisher
Sculptor: Mario Torres

VISUAL EFFECTS
Special Visual Effects: Industrial Light and Magic
Visual Effects Producer: Mark S. Miller
Digital Artists: Brennan Prevatt, Grady Cofer, Lawrence Carroll, Rob Blue
Digital Paint and Rotoscope Artist: Katharine Baird (uncredited)
Digital Texture Artist: Elbert Yen (uncredited)
Visual Effects Editor: Richard Friedlander

THE COMPUTER FILM COMPANY CREW
Digital Visual Effects: The Computer Film Company
Visual Effects Producer: Drew Jones
Visual Effects Line Producer: Libby Hazell
Supervising Visual Effects Designer: Paddy Eason
Visual Effects Designers: John Thum, Adrian De Wet, Dan Glass, Gavin Toomey, Kat Szuminska, Mark Nelmes
Computer Graphics Artist: Raul Essig
3D Animator / Designer: Chris Monks
3D Animators: Dominic Parker, Richard Clarke, Stephen Murphy
Computer Graphics Animators: Kyle Clark, Neil Michka, Peter Daulton
Digital Paint Artists: Alex Payman, Ian Fellows, Siobhan Lo
Digital Scanning and Recording: Adam Glassman, Jan Hogevold, Scott Marriott, Steve Tizzard
Assistant Visual Effects Editor: Ellen Schade-Bove
Digital Editors: Rob Hall, Roz Lowrie, Tabitha Dean
Studio Staff: Chris Grottick, Chris Stone, Darrel Griffin, Heather Fishlock, Neil Miller
Technical Support: Dave Scott, Adrian Leaman

INDUSTRIAL LIGHT AND MAGIC CREW
Visual Effects Supervisor: Jim Mitchell
Visual Effects Co-Ordinator: Julie D'Antoni
Lead Visual Effects Co-Ordinator: Theresa Corrao
Computer Graphics Artists: Jennifer Mcknew-Bartels, Ken Nielson, Pat Neary, Chris Horvath, Christophe Hery, David Horsley, David Weitzberg, Frederic Schmidt, Howard Gersh, John Stillman, Kim Ross, Mayur Patel, Michael Di Como, Michael Min, Polly Ing, Scott Prior, Sean Schur, Tom Fejes
Computer Graphics Sequence Supervisors: Joel Aron, Robert Weaver
Computer Graphics Supervisor: Robert Marinic
Computer Graphics Technical Support: Rob De Haan, Justin Ritter, Matthew Davies
Computer System Engineer: Peter Ward
Digital Artists: Jonathan Rothbart, Louis Katz, Shadi Almassizadeh
Lead Digital Compositor: Eddie Pasquarello
Digital Compositors: Catherine Burrow, Barbara Brennan, Tami Carter
Digital Matte Painters: Caroleen Green, Jonathan Harb, Rick Rische
Digital Modelers: Alexander Pouchkarev, Stephen Aplin
Lead Digital Paint and Roto Artists: Susan Kelly, Jack Mongovan
Digital Paint and Roto Artists: Joseph Salazar, Zachary Sherman, Chris Bayz, David Sullivan, Elsa Rodriguez, Kate Turner, Patrick Jarvis, Scott David, Susan Goldsmith, Trang Bach
Paint Artist and Digital Rotoscope: Aaron Muszalski
Sabre Digital Artists: Catherine Tate, Dean Yurke, Kela Hicks
Digital Testate Artist: Terry Molatore
Digital Timing Supervisor: Bruce Vecchitto
Film Scanning: Randy Bean
3D Camera Matchmovers: Jason Snell, David Washburn, Joseph Metten, Lanny Cermak
Model Maker: Richard Miller
Visual Effects Art Director: Scott Leberecht
Senior Staff: Gail Currey, Jeff Mann
Software Engineers: John Horn, Vishwa Ranjan
Visual Effects Editor: ILM: Bill Kimberlin
Visual Effects Production Assistant: Eleanor Jones

DESIGN AND SET CONSTRUCTION
Production Designer: Rick Heinrichs
Supervising Art Director: Les Tomkins
Art Directors: Ken Court, John Dexter, Andrew Nicholson
Art Director (New York): John Wright Stevens
Assistant Art Directors: Julian Ashby, Bill Boes, Stephen Dobric, Nick Navarro, Gary Tomkins, Su Whitaker
Title Designer: Robert Dawson
Set Designer: Cosmas A. Demetriou (uncredited)
Set Decorator: Peter Young
Set Decorator (New York): Debra Schutt
Property Storeperson: Ken Bacon
Construction Manager: Terry Apsey
Construction Coordinator (New York): Raymond Samitz
Assistant Construction Manager: John New
H.O.D. Scenic Painter: Adrian Kenneth Start
Painter: Robin Heinson (uncredited)
Chargehand Scenic Artist (New York): Richard Ventre
H.O.D. Plasterer: Allan Croucher
Chargehand Carpenter: Gavin Gordon (uncredited)
Property Master: Terry Wells
Property Master (New York): Daniel Boxer
Property Buyer: Michael King
Props: Paul Hearn, Robert Hill, Jon Marson, Steve Taylor
Property Storeperson: Ken Bacon
Art Department Co-Ordinators: Lavinia Glynn-Jones, Kirstin Mooney
Art Department Co-Ordinator (New York): Tina Khayat
Concept Illustrators: Ravi Bansal, Mauro Borelli, Adam Brockbank, Martin Charles, Simon Murton, Jonathon Rosen
Draughtspersons: Mariko Braswell, Tracey Holmes, Stuart Kearns, Christine Parkin, Julie Pitt, Gerald Sullivan, Susan Wexler
Scenic Artist: James Hunt
Storyboard Artist: Michael Jackson
On Screen Calligrapher (New York): Bernard Maisner
H.O.D. Rigger: Steven Pollecutt
H.O.D. Stagehand: Ken Stachini

MISCELLANEOUS
Script Supervisor: Jayne-Ann Tenggren
2nd Unit Script Supervisor: Natasha Coombs
Production Accountant: Brian Gibbs
Production Accountant (New York): Deb Dyer
Assistant Accountant: Helen Seery
Accounting Assistant: Claire L. Kenny (uncredited)
Horse Master: Steve Dent
2nd Unit Animal Wrangler: Mike Cullin
Armourer: Richard Hooper
Assistant Armourer: Dave Evans (uncredited)
Assistants to Depp: Flore Michiels, Christi Dembrowski
Assistant to Costas (New York): Matt Spiegel
Assistant to Franco: Cheryl A. Tkach
Assistants to Rudin: Mark Hopkins, Angelique Palozzi, Ben Famiglietti, Derek Skaletsky, Eben Davidson, Edward Goemans, John A. Cohen, Sarah Feinberg
Assistants to Schroeder: Lucia Murillo, Sally Ross
Assistants to Burton: Derek Frey, Eva Quiroz
Production Assistants: Matt Cooke, Kate Jones, Nathan Holmes, Nicky O'Reilly, Richard Goodwin
First Aid: Jeanie Udall
Production Intern: Will Sweeney (uncredited)
Production Liaison: Phil Clarke (uncredited)
Publicist: Lauren Strogoff
Runner at Leavesden: Darren Harrison (uncredited)
Transportation Manager: Brian Hathaway
Transportation Captain (New York): Jim Fanning
Unit Driver: David Rosenbaum (uncredited)
Greens Foreperson (New York): John Ottesen
Greensperson (New York): Butch Samarzich

LOCATIONS
Locations: Hertfordshire, England, UK; London, England, UK; Oxfordshire, England, UK; Surrey, England, UK; Leavesden Film Studio, Hertsfordshire, England
Location Manager: Keith Hatcher
Location Manager (New York): Declan Baldwin
Assistant Location Manager: Simon Burgess

ACKNOWLEDGMENTS
Thanks To: Burns Patterson, Lori Steinberg, Tony Costanzo, Tracey Jacobs

STUNTS
Stunt Co-Ordinator: Nick Gillard
Stunt Double For Depp: Dominic Preece
Stunts: Brian Sonny Nickels, Danielle Da Costa, Ian Van Temperley, Jeff Hewitt Davis, Will Willoughby, C.C. Smiff, Jo McLaren, Kelly Dent, Luke Kearney, Marc Cass, Paul Herbert, Riky Ash, Rowley Irlam, Sarah Franzl, Sy Hollands, Vincent Keane
Stunt Double For Headless Horseman: Rob Inch
Fight Double For Headless Horseman: Ray Park

CASTING
Casting: Susie Figgis, Ilene Starger
Casting Assistants: Janice Wilde, Kate Bryden
Casting Associate: Kim Miscia
Voice Casting: Brandon Donnison

CAST
Johnny Depp (Constable Ichabod Crane)
Christina Ricci (Katrina Anne Van Tassel)
Miranda Richardson (Lady Mary Van Tassel / the western woods crone)
Michael Gambon (Baltus Van Tassel)
Casper Van Dien (Brom Van Brunt)
Jeffrey Jones (Reverend Steenwyck)
Christopher Lee (The Burgomaster)
Richard Griffiths (Magistrate Samuel Philipse)
Ian McDiarmid (Dr Thomas Lancaster)
Michael Gough (Notary James Hardenbrook)
Marc Pickering (young Masbath)
Lisa Marie (Lady Crane)
Steven Waddington (Mr Killian)
Christopher Walken (the Hessian horseman)
Claire Skinner (Midwife Elizabeth 'Beth' Killian)
Alun Armstrong (High Constable)
Mark Spalding (Jonathan Masbath)
Jessica Oyelowo (Sarah)
Tony Maudsley (Van Ripper)
Peter Guinness (Reverend Crane)
Nicholas Hewetson (Glenn)
Orlando Seale (Theodore)
Sean Stephens (Thomas Killian)
Gabrielle Lloyd (Lady Lancaster)
Robert Sella (Dirk Van Garrett)
Michael Feast (spotty man)
Jamie Foreman (thuggish constable)
Philip Martin Brown (constable 1)
Sam Fior (young Ichabod Crane)
Tessa Allen-Ridge (young Lady Van Tassel)
Cassandra Farndale (young crone)
Lily Phillips (girl 2)
Bianca Nicholas (little girl)
Paul Brightwell (rifleman)
Martin Landau (Peter Van Garrett - uncredited)
Keeley O'Hara (uncredited)
Ray Park (the headless horseman - uncredited)

PLOT SUMMARY

New York constable Ichabod Crane is sent to the remote town of Sleepy Hollow where the population is apparently being slaughtered by a decapitating headless horseman. Crane struggles to unravel the mystery in the face of his own strict adherence to scientific logic and the villagers superstition.

Burton's paen to Hammer horror is only a qualified success, but where it does work it works magnificently. The stunning photography and design are the real stars of the show, though Burton's patented gothic style carries us through many of the rough patches. An interesting experiment that doesn't quite make the grade.

Argentina
Theatrical Distributors: United International Pictures
Video Distributor: Argentina Video Home

Finland
Theatrical Distributors: United International Pictures

France
Theatrical Distributors: Pathé

Germany
Theatrical Distributors: Constantin Film
DVD Distributor: MAWA Film und Medien (13808)

Japan
Theatrical Distributors: Herald Film Company

Portugal
Theatrical Distributors: Lusomundo

UK
Theatrical Distributors: Pathé

USA
Theatrical Distributors: Lions Gate / Paramount Pictures
DVD Distributor: Paramount (329627)

Argentina
Rating: 13

Australia
Rating: MA

Belgium
Rating: KT

Finland
Rating: K-16

France
Rating: -12

Germany
Rating: 12 (theatrical); 16 (DVD / video)
The theatrical release was cut to get a 12 rating. A fully uncut version, rated 16, was released on DVD and video.

Hong Kong
Rating: IIB

Netherlands
Rating: 16

New Zealand
Rating: M

Norway
Rating: 15

Portugal
Rating: M/16

Singapore
Rating: PG

Sweden
Rating: 15

Switzerland
Rating: 16

UK
Rating: 15

USA
Rating: R (for graphic horror violence and gore, and for a scene of sexuality)

1999
Boston Society of Film Critics Awards
Best Cinematography (Emmanuel Lubezki) - winner

2000
Academy Awards, USA
Best Art Direction / Set Decoration (Rick Heinrichs (art director); Peter Young (set decorator)) - winner
Best Cinematography (Emmanuel Lubezki) - nominated
Best Costume Design (Colleen Atwood) - nominated

Academy of Science Fiction, Horror and Fantasy Films, USA
Saturn Award - Best Actress (Christina Ricci) - winner
Best Music (Danny Elfman) - winner
Best Actor (Johnny Depp) - nominated
Best Costume Design (Colleen Atwood) - nominated
Best Director (Tim Burton) - nominated
Best Horror Film - nominated
Best Make-Up (Peter Owen, Kevin Yagher) - nominated
Best Special Effects (Mark S. Miller, Jim Mitchell, Joss Williams, Kevin Yagher) - nominated
Best Supporting Actor (Christopher Walken) - nominated
Best Supporting Actress (Miranda Richardson) - nominated
Best Writer (Andrew Kevin Walker) - nominated

American Society of Cinematographers, USA
ASC Award - Outstanding Achievement in Cinematography in Theatrical Releases (Emmanuel Lubezki) - nominated

Blockbuster Entertainment Awards
Favorite Actor - Horror (Johnny Depp) - winner
Favorite Actress - Horror (Christina Ricci) - winner
Favorite Supporting Actress - Horror (Miranda Richardson) - winner
Favorite Supporting Actor - Horror (Marc Pickering) - nominated

British Academy Awards
Best Costume Design (Colleen Atwood) - winner
Best Production Design (Rick Heinrichs) - winner
Best Achievement in Special Visual Effects - nominated

Chicago Film Critics Association Awards
Best Cinematography (Emmanuel Lubezki) - nominated

Costume Designers Guild
Excellence for Costume Design for Film - Period/Fantasy (Colleen Atwood) - winner

Golden Satellite Awards
Best Art Direction, Production Design (Ken Court, John Dexter, Rick Heinrichs, Andy Nicholson, Leslie Tomkins) - winner
Best Cinematography (Emmanuel Lubezki) - winner
Best Costume Design (Colleen Atwood) - winner
Best Original Score (Danny Elfman) - winner
Best Sound (Gary Alper, Skip Lievsay) - winner
Best Film Editing (Chris Lebenzon) - nominated
Best Performance by an Actor in a Motion Picture, Comedy or Musical (Johnny Depp) - nominated
Best Visual Effects (Jim Mitchell, Joss Williams) - nominated

Hollywood Makeup Artist and Hair Stylist Guild Awards
Best Character Makeup - Feature (Paul Gooch, Peter Owen, Liz Tagg, Kevin Yagher) - winner

International Horror Guild
Best Movie - nominated

Italian National Syndicate of Film Journalists
Silver Ribbon Regista del Miglior Film Straniero (Tim Burton) - nominated

Las Vegas Film Critics Society Awards (Sierra Awards)
Best Production Design (Rick Heinrichs) - winner
Best Cinematography (Emmanuel Lubezki) - nominated
Best Costume Design (Colleen Atwood) - nominated
Best Score (Danny Elfman) - nominated

Los Angeles Film Critics Association Awards
Best Production Design (Rich Heinrichs) - winner

MTV Movie Awards
Best Villain (Christopher Walken) - nominated

Motion Picture Sound Editors, USA
Golden Reel Award For Best Sound Editing - Effects and Foley (Craig Berkey (sound editor); Scott Curtis (foley editor); Michael Dressel (foley editor); Tammy Fearing (foley editor); Sean Garnhart (sound editor); Lewis Goldstein (sound editor); Matthew Harrison (foley editor); Skip Lievsay (supervising sound editor); John Pospisil (sound editor); Thomas W. Small (supervising foley editor); Paul Urmson (sound editor); Anderson, Richard A. (sound editor)) - nominated

Online Film Critics Society Awards
Best Cinematography (Emmanuel Lubezki) - winner

Santa Fe Film Critics Circle Awards
Best Cinematography (Emmanuel Lubezki) - winner

Society of Motion Picture and Television Art Directors, USA
Award for Excellence in Production Design - Feature Film (Rick Heinrichs) - winner

Young Artist Awards
Best Performance in a Feature Film - Leading Young Actress (Christina Ricci) - nominated

1998
November
Day Unknown: Production begins

1999
April
Day Unknown: Production ends

November
17: USA - premiere
19: USA - theatrical release

2000
January
1: Australia - theatrical release
1: New Zealand - theatrical release
7: UK - theatrical release
21: Spain - theatrical release
28: Brazil - theatrical release
28: Italy - theatrical release
28: Mexico - theatrical release

February
9: Belgium - theatrical release
9: France - theatrical release
10: Argentina - theatrical release
17: Malaysia - theatrical release
17: Singapore - theatrical release
24: Germany - theatrical release
24: Hong Kong - theatrical release
24: Switzerland - theatrical release in the German speaking region
25: Poland - theatrical release
26: Japan - theatrical release

March
1: Portugal - shown at the Fantasporto Film Festival
3: Iceland - theatrical release
3: Israel - theatrical premiere
3: Portugal - theatrical release
8: Venezuela - theatrical release
14: Kuwait - theatrical release
16: Israel - theatrical release
17: Denmark - theatrical release
17: Norway - theatrical release
29: Egypt - theatrical release
30: Hungary - theatrical release
31: Sweden - theatrical release

April
1: Indonesia - theatrical release in Jakarta
6: Netherlands - theatrical release
7: Thailand - theatrical release
14: Finland - theatrical release
27: Czech Republic - theatrical release
28: Estonia - theatrical release

May
23: USA - DVD release (Paramount (329627))

July
14: India - theatrical release

September
26: Germany (DVD release (MAWA Film und Medien (13808))

2002
January
1: USA - television broadcast (on The Movie Channel)
5: USA - television broadcast (on The Movie Channel)
8: USA - television broadcast (on The Movie Channel)
11: USA - television broadcast (on The Movie Channel)
16: USA - television broadcast (on The Movie Channel)
17: USA - television broadcast (on The Movie Channel)
27: USA - television broadcast (on The Movie Channel)
30: USA - television broadcast (on The Movie Channel)

Heads Will Roll.

Close Your Eyes. Say Your Prayers. Sleep If You Can.

You can lock the doors. You can bolt the windows. But can you survive the night?

Il mistero di Sleepy Hollow - Italian title

SEE ALSO
The Adventures of Ichabod and Mr Toad (1949)
The Legend of Sleepy Hollow (1908)
The Legend of Sleepy Hollow (1912)
The Legend of Sleepy Hollow (1958)
The Legend of Sleepy Hollow (1980)
The Legend of Sleepy Hollow (1999)
La maschera del demonio (1960)

MAGAZINES

The A List in The Mirror, 17 - 23 March 2000 p.8
review (by anonymous)

Dreamwatch 50 p.9

Entertainment Weekly vol.1 no.514 (26 November 1999) pp.64-65
review (Dead Heads (B-) by Owen Gleiberman)

Entertainment Weekly vol.1 no.542 (26 May 2000) p.53
review (Video: Head Of The Class (B+) by Troy Patterson)

Film Review February 2000 p.21
review (by Jason Caro)

Premiere (USA) vol.13 no.2 (October 1999) pp.100-104
article (Tim Burton's Sleepy Hollow by Stephane Sednaoui)

Première (France) February / March 2000 p.53
review (by Gérard Delorme)

Sight and Sound vol.10 no.1 (January 2000) pp.14-16 (UK)
illustrated article (The cage of reason by Kim Newman)

Rolling Stone vol.1 no.827 (9 December 1999) p.89
review (by Peter Travers)

Total Film (UK) February 2000 p.80
review (by Matt Mueller)

Variety vol.377 no.1 (15 November 1999) pp.86-87
review (by Todd McCarthy)

NEWSPAPERS

Correio da Manhã 3 March 2000
review (by Vitoriano Rosa)

Diário de Notícias 3 March 2000
review (by Eurico De Barros)

Diário de Notícias, DNmais 4 March 2000
review (by José De Matos-Cruz)

Metro 7 January 2000 p.17 (UK)
illustrated review (by Jamie Graham)

Metro 26 July 2000 p.19 (UK)
illustrated DVD review (by CA)

Svenska Dagbladet 31 March 2000 (Sweden)
review (Ingen spökar så vackert som Tim Burton by Jeanette Gentele)

BOOKS

The Art of Sleepy Hollow by Andrew Kevin Walker and Tim Burton (New York: Pocket Books (1999))
production notes

windmills; police; witchcraft; decapitation; headless horsemen; spells; magic; witches; arachnophobia; sword fights; short story into film; ghosts; horses; pumpkins; the supernatural; trees; forests; doctors; dreams; magistrates; new york; revenge

Last Updated: 17 January, 2010