SYNOPSIS | REVIEW | PRODUCTION NOTES | TRIVIA | PRESS | QUOTES | KIM NEWMAN ARCHIVE | MEDIA

Séance on a Wet Afternoon (1964)

Country of Origin: UK
Year of Production: 1964
Running Times: 116 mins
Format: black and white     35mm
Ratio:
Sound: mono

CREDITS

PRODUCTION
Production Company: Allied / Beaver
Producers:
Bryan Forbes, Richard Attenborough, Jack Rix

SCRIPT
Script:
Bryan Forbes
Novel: Mark McShane

DIRECTION
Director:
Bryan Forbes
1st Assistant Director: Simon Relph
Assistant Director: Christopher Dryhurst

PHOTOGRAPHY
Director of Photography: Gerry Turpin
Camera Operator: David Harcourt
Assistant Camera: Gerry Anstiss
Grip: Ted Lockhart

EDITING AND POST PRODUCTION
Editor: Derek York

MUSIC
Music: John Barry
Musical Director: John Barry

SOUND
Sound Recordist: Bill Daniels
Dubbing Editor: George Fisher
Sound Assistant: Gus Lloyd

MAKE UP AND COSTUMES
Make Up:
Stuart Freeborn
Hair: Barbara Ritchie
Wardrobe Supervisor: Laurel Staffel

DESIGN AND SET CONSTRUCTION
Art Director: Ray Simm
Set Dresser: Peter James
Construction Manager: Jock Lyall

MISCELLANEOUS
Continuity: Penny Daniels
Production Secretary: Ann Skinner

CAST
Kim Stanley (real name: Patricia Read) (Myra Savage)
Richard Attenborough (Bill Savage)
Mark Eden (Mr Clayton)
Nanette Newman (Mrs Clayton)
Judith Donner (Amanda Clayton)
Patrick Magee (Superintendent Walsh)
Gerald Sim (Sergeant Beedle)
Marian Spencer (Mrs Wintry)
Arnold Bell
Hajni Biro (maid at Clayton's)
Marie Burke, Maria Kazan, Margaret Lacey (women at first seance)
Maggie McGrath (woman at second seance)
Lionel Gamlin (man at seance)
Ronald Hines (policeman outside Clayton's)
John Lees (plain clothes policeman)
Godfrey James (Mrs Clayton's chauffeur)
Diana Lambert (Mr Clayton's secretary)
Stanley Morgan (man in trilby)
Frank Singuineau (bus conductor)

SUMMARY

Fake psychic Myra convinces her weak-willed husband Billy to kidnap the daughter of wealthy parents, planning to extort money from the couple then offer her services as a psychic to help the police trace the missing child. But Myra becomes more and more unhinged as the plot continues, convinced that she can contact her long dead son Arthur and leading Billy to believe that she doesn't care if their victim is found dead or alive...

CAPSULE REVIEW

In the cold light of print, Séance on a Wet Afternoon may seem far-fetched and frankly unbelievable. But a real frisson of horror is generated by Myra's increasingly psychotic behaviour and by the likeable and sympathetic Billy's hen-pecked acquiescence to all but her most outlandish demands simply because he loves her so much. Stanley is frequently terrifying as Myra, a woman so completely unbalanced that she can't even maintain her own lies, so psychotic that the life of a child means nothing to her. That she so hated the cinema that she barely made an impact on movie audiences is a matter of great regret. Attenborough too is excellent (though it isn't really clear why he sports a fake nose) as the alternately pathetic and admirable Billy, a quiet and subtly affecting performance that perfectly complements Stanley.

AVAILABILITY

UK
DVD Distributors: Carlton Visual Entertainment (3711505753)

USA
Theatrical Distributor: Artixo
Video Distributor: VidAmerica

CENSORSHIP HISTORY

Finland
Rating: K-16

Sweden
Rating: 15

AWARDS

1964
National Board of Review, USA

Award Best Actress (Kim Stanley) - winner

1964
San Sebastián International Film Festival

Best Actor (Richard Attenborough) - winner (tied with Maurice Biraud for Les aventures de Salavin (1963))

1965
Academy Awards, USA

Best Actress in a Leading Role (Kim Stanley) - nominated

British Academy Awards
Best British Actor (Richard Attenborough) - winner
Best British Cinematography: black and white (Gerry Turpin) - winner
Best British Screenplay (Bryan Forbes) - winner
Best Foreign Actress (Kim Stanley) - winner

Edgar Allan Poe Awards
Best Foreign Film (Bryan Forbes) - winner

Laurel Awards
Golden Laurel Dramatic Performance, Female (Kim Stanley) - third place

New York Film Critics Circle Awards
Best Actress (Kim Stanley) - winner

1965
Writers' Guild of Great Britain

Best British Dramatic Screenplay (Bryan Forbes) - winner

TIMELINE

1964
October

26: Sweden - theatrical release

1966
April

11: Denmark - theatrical release

1967
August

4: Finland - theatrical release

2004
January

26: UK - DVD release (Carlton Visual Entertainment (3711505753))

LINKS

SEE ALSO
Korei (2000)

REFERENCES

MAGAZINES

Radio Times 10-16 August 1985 p.16
review

BOOKS

Creature Features Strikes Again p.339
credits, review (by John Stanley)

KEYWORDS

book into film, fake psychics, seances, kidnapping, children

 


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