|
Peter Pan (2003)
Country of Origin: USA
Year of Production: 2003
Running Times: 113m 8s
Length: 10,182ft + 4 frames
Format: 35mm/Panavision
Colour Format: Technicolor
Ratio:
Sound:
DIRECTION
Director: P.J. Hogan
CREW
PRODUCTION
Production Companies: Columbia Pictures/Universal Pictures/Revolution
Studios Present A Douglas Wick – Lucy Fisher/Allied Stars Production
Executive Producers: Mohamed Al Fayed, Gail Lyon, Jocelyn Moorhouse
Co-Executive Producer: Charles Newirth
Producers: Lucy Fisher, Douglas Wick, Patrick McCormick
Co-Producers: Gary Adelson, Craig Baumgarten, Stephen Jones
Associate Producers: Gloria S. Borders, Ellen M. Somers
Production Supervisor: Steven Wayne
LA Unit Production Supervisor: Peter Toby
Unit Production Managers: Patrick McCormick, Jennifer Cornwell
Unit Manager: Damian Eggins
LA Unit Production Manager: Charles Newirth
Production Coordinator: Kerry Mulgrew
2nd Unit Production Coordinator: Judy Hallin
Assistant Production Coordinator: Lisa McSweeney
2nd Unit Assistant Production Coordinator: Cindy Gollagher
SCRIPT
Script: P.J. Hogan, Michael Goldenberg
Play/Books: J.M. Barrie
DIRECTION
2nd Unit Directors: Conrad E. Palmisano, Shirley Barrett
1st Assistant Directors: Carolynne Cunningham, Simon Warner
2nd Unit 1st Assistant Director: Ian "Hood" Kenny
LA Unit 1st Assistant Director: Alan B. Curtiss
2nd Assistant Directors: Marc Ashton, Julie Burton
2nd Unit 2nd Assistant Director: Tony Edwards
LA Unit 2nd Assistant Director: Basti Van der Woude
2nd 2nd Assistant Director: Peter McLennan
3rd Assistant Director: Darwin Brooks
4th Assistant Director: Mark Bishop
Script Supervisor: Lou Grant
2nd Unit Script Supervisor: Carmel Leonard
LA Unit Script Supervisor: Ana Maria Quintana
PHOTOGRAPHY
Director of Photography: Donald McAlpine
2nd Unit Director of Photography: Martin McGrath
2nd Unit Additional Photography: Ian "Thistle" Thorburn
Camera Operator: David Williamson
2nd Unit Camera Operator: Andrew Conder
Steadicam/"B" Camera Operator: Mark Goellnicht
LA Unit Camera Operator: Neal Norton
Additional Steadicam Operator: Phil Cross
1st Assistant Camera: Matt Toll
2nd Unit 1st Assistant Camera: Margie McClymont, David Cordell
LA Unit 1st Assistant Camera: Pat McArdle
2nd Assistant Camera: Matt Windon
Camera Loaders: Christian Luxton, Riki Byrne
Chief Lighting Technician: Steven R. Mathis
Assistant Chief Lighting Technicians: Moses Fotofili, Peniaku Loloa
2nd Unit Gaffer: Stewart Sorby
2nd Unit Best Boy Electric: Andrew Saul
Board Operator: Ian Blackburn
2nd Unit Board Operator: Patrice Roblin
Electrics: Grant Wilson, Todd Carmody, Mark Bills, Mark Jefferies
2nd Unit Electrics: Graeme Smithers, Stewart Sorby, Alan Willis
Rigging Gaffer: Mathew Buchan
Rigging Best Boy: Joe Stick
Key Grip: Paul Thompson
2nd Unit Key Grip: Toby Copping
LA Unit Key Grip: Robin Knight
Best Boy Grip: Mal Booth
2nd Unit Best Boy Grips: Andy Smith, Trent Williamson
Dolly Grip: Pat Nash
2nd Unit Dolly Grip: Matt Copping
Grips: Troy Paschini, David Leckonby, Paul Heidke
2nd Unit Grips: Dario Davidis, Michael Larcombe, Paul Murphy
Blue Screen Rigging Grip: David Thomson
Video Assist: Brad Sayers, Simon Currie
Preview Assistant: Brendan Shambrook
Stills: Jasin Boland
Lab: Atlab
EDITING AND POST-PRODUCTION
Editors: Garth Craven, Michael Kahn
Additional Film Editor: Paul Rubell
1st Assistant Editors: Jennifer Apel, Patrick Crane
1st Assistant Film Editors: Kirsty Bruce, Paula Suhy, William Fletcher
Assistant Film Editors: Allison Gibbons, Jamie Keeney, David Burrows,
Kristen Young, Nathan Easterling
Assistant Avid Editors: James Herbert, Cleo Myles
Apprentice Editor: John P. Husky
Post Production Supervisor: Ruth Hasty
Post Production Coordinator: Gail Laskowski
Post Production Assistants: Candice Weiler, Stephen Shapiro, Jay Johnson,
Frank S. Borders Jr
Digital Intermediate: EFILM
Digital Intermediate Colourist: Steven J. Scott
Digital Colourist Assist: Ntana Key
Digital Intemediate Producer: Michael Kennedy
Manager of Operations: Chris Edwards
IO Data Manager: Tom Bristow
Digital Intermediate Services Coordinator: Chris Taft
Digital Intermediate Editor: Nathan Fitzgerald
Negative Cutting by: Viv Kim Negative Cutting, Vivian Hengsteler, Bonnie
Young
Digital Negative Pulls: Eden Williams
Avids & Technical Support by: Orbit Digital
Telecine by: Cutting Edge Post
MUSIC
Music: James Newton Howard
Orchestrators: Jeff Atmajian, Brad Dechter, Jon Kull, Conrad Pope
Conductor: Pete Anthony
Choir Conductor: Paul Salamunovich
Children's Choir Conductor: Sally Stevens
Music Supervisor: Bonnie Greenberg
Score Recordist/Mixer: Shawn Murphy
Electronic Score Recordist/Mixer: James T. Hill
Supervising Music Editor: Jim Weidman
Music Editor: David Olson
Music Contractor: Sandy De Crescent
SOUND
Sound Designers: Gary Rydstrom, Chris Scarabosio
Assistant Sound Designer: Dee Selby
Supervising Sound Mixers: Gary Rydstrom, Tom Johnson, Rick Kline
Production Mixer: Ben Osmo
2nd Unit Sound Mixer: Craig Walmsley
LA Unit Sound Mixer: Ron Judkins
Mix Technician.: Juan Peralta
Boom Operators: Gerry Nucifora, Gary Hamden
2nd Unit Boom Operator: Ben Wyatt
Re-Recordists: Brian D. Magerkurth
Additional Re-Recording Mixer: Jurgen Scharpf
Supervising Sound Editor: Richard Hymns
Assistant Supervising Sound Editor: Andre Fenley
Apprentice Sound Editor: Lenny Hasty
Dialogue Editors: Ewa Sztompke-Oatfield, Richard Quinn
Assistant Dialogue Editor: Stuart McCowan
ADR Supervisor: Gwendolyn Yates Whittle
Assistant ADR Editor: Jessica Bellfort Rankin
Sound Effects Editors: Kyrsten Mate, David C. Hughes
Foley Recordist: Travis Crenshaw
Foley Mixer: Frank Merel
Foley Editors: Jonathan Null, E. Larry Oatfield
Foley Artists: Jana Vance, Ellen Heuer
Post Production Sound Services: Skywalker Sound; A Lucasfilm Ltd Company,
Marin County, California
COSTUMES AND MAKE-UP
Costume Designer: Janet Patterson
Costume Supervisor: Helen Dykes
Costume Coordinator: Daniella Rigby
Costumes Standby: Andrea Hood, Penny Mackie, Angela Duncan
Costumers: Fiona Nichols, Lisa Murphy, Wendy McGregor, Catherine Overgaard,
Mirka Bimr, Judith Meske
2nd Unit Costumers: Louise Hogg, Amanda Enders
Make Up/Hair Designer: Nikki Gooley
Make Up: Vivienne Macgillicuddy
Make Up/Hair: Anita Morgan, Tracey Lee Reeby
Make Up Assistants: Nadine Wilkie, Paige Badenouch
Make Up/Hair Assistant: Jane Atherton
Hair: Shane Thomas
Wig Designer: Annette Miles
Wig Maker Assistants: Dalia Fernandez, Elisa Stefanovic
SPECIAL EFFECTS
Special Effects Supervisor: Clayton W. Pinney
2nd Unit Special Effects Supervisor: Dan Oliver
Assistant Special Effects Supervisor: Tony Centonze
Special Effects Coordinator: Bruce Bright
Special Effects Onset Supervisor: Rob Heggie
Special Effects Onset Technician: Peter Armstrong
Special Effects Workshop Supervisor: Peter Exton
Special Effects Gag Supervisor: Arthur Spink Jr
Rigging and Wire Team Supervisor: Norman Copeman
Rigging Foreman: Steven MacKay
Riggers: Richard Billingham, Gareth Chandler, James Beard, Lyall Tupe,
Charlie Vale
Wire Team Foreman: Grant Kennelly
Parrot and Crocodile Animatronics: John Cox's Creature Workshop, Queensland,
Australia
Creative Supervisor/Designer: John Cox
Lead Sculptor: David Renn
Sculptor: Stuart Rowsell
Crocodile Mechanical Designer: Trevor Tighe
Animatronic Designer: Greg McKee
Animatronics Technicians: Sonny Tilders, Steven Renn
Electronics Designer: Andrew Goodall
Parrot Hair Technicians: Cheryl Newton, Adam Coyle
Mold and Foam Technicians: Tobias Jahke, Toby Barron
Finisher/Seamer: Narinder Virdee
Project Coordinator: Julie Anderson
Administration: Sheryle Buckland
Mermaid Prosthetics: WETA Workshop Ltd, Wellington, New Zealand
VISUAL EFFECTS
Digital Domain
Special Visual Effects and Digital Animation: Digital Domain, Venice,
California
Visual Effects Supervisor: Mark O. Forker
Visual Effects Executive Producer: Nancy Bernstein
Visual Effects Producer: Kristina Reed
Digital Production Manager: Suzanne Buirgy
Visual Effects Production Coordinators: Shad Davis, Brenda E. Gaz
Computer Graphics Supervisor: Brad Parker
Digital Effects Coordinators: Mark Fletcher, Steve Griffith, Maxine
Jurgens
Assistant Digital Effects Coordinator: Cat Thelia
Character Animation Lead: Andrew Hall
Character Animators: Beau Cameron, Benjamin I. Cinelli, Giancarlo Lari,
Caleb Cro Owens, Pedro Ramos, Jeff Schanz
CG Effects Animation Lead: Peter Plevritis
CG Effects Animators: Tom Allen, Hammer Chu Wai Ho, Ivan DeWolf, Jongwoo
Heo, Karen J. Smith, Andrew A. Paules, Youngil Pyo, Chris Mei-Ling Yang,
David Minton, Cezar Niculescu, Gaku Tada
CG Set Extension Lead: Marcus Stokes
CG Set Extension Artists: Lynn Basas, Timothy A. Hoffman, Keith E. Lackey,
Maxx Okazaki, Hanzhi Tang, Riccardo Zanettini
3D Integration Lead: David Niednagel
3D Integration Artists: Ian Doss, Thomas Schultz, Som Shankar
Technical Developers: Kenneth Andrews Ibrahim, Liza Keith, Phillip Prahl,
Eric Scheidemantle
Compositing Supervisor: Claas Henke
Lead Technical Compositor: Sean Devereaux
Digital Compositors: Eric M. Beaver, Joel Behrens, Krista Benson, Beverly
Bernacki, Richard Biggs, Alette Boyce, Floyd Casey, Gimo Chanphianamvong,
Dan Cobbett, Rafael F. Colón, Dennis Davis, Yann Doray, Joe Farrell,
Cynthia Hyland, James Kuroda, Samantha McGee, Marc Morissette, Davy
Nethercutt, Katie Nook, Lou Pecora, Marc Dominic Rienzo, Olivier P.
Sarda, Jeffery Sargent, Deborah Wiltman
Digital Matte Painters: Shannan Burkley, Tim Clark, Richard Kriegler,
Daveed Schwartz
Digital Painters: Sully Jacome-Wilkes, Justine Sagar
Digital Rotoscope/Paint Lead: Shannon Wiggins
Digital Rotoscope/Paint Artists: Bryan Devereaux, Stephen Edwards, Amanda
Finkelberg, Karin Last, Jay Shindell, Byron Werner
Visual Effects Editor: Heather J. Morrison
Colour Grader: Celine Jackson
Technical Development Lead: Darren Hendler
Technical Assistant: John P. McMullen
Visual Effects Accountant: Bekki Misiorowski
Visual Effects Production Assistant: Niki Yoblonski
Industrial Light and Magic
Special Visual Effects and Animation: Industrial Light & Magic (A
Lucasfilm Ltd Company, Marin County, California)
Visual Effects Supervisor: Scott Farrar
Additional Visual Effects Supervisor: Eric Brevig
Visual Effects Coordinators: Suzanne Evans-Booth, Laura LeFaivre
Executive Producer: Judith Weaver
Visual Effects Associate Producer: Julie D'Antoni
Visual Effects Production Manager: Keith Foston
Production Coordinators: Lleslle Aclaro, Lori Arnold, Leigh Ann Fan,
David Gray, Danielle Hazan, Paula Nederman, Mary Beth Worzella
Pre-Visualization Supervisor: David Dozoretz
US Pre-Visualization: P.O.V.
Australian Pre-Visualization: Photon
Pre-Visualization Artists: Lawrence Chandler, Daniel Slavin
Associate Animation Supervisor: Peter Daulton
Lead Animator: Julija Learie
Technical Animators: Mauricio Baiocchi, John Zdankiewicz
Lead Creature Technical Director: Scott Jones
Creature Technical Directors: Jae Cheol Hong, Sunny Lee
Animators: Derrick Carlin, Virginie Michel D'Annoville, Andrew Doucette,
David Gainey, Maia Kayser, Peter Kelly, Greg Kyle, Jakub Pistecky, Sharonne
Solk, Marjolaine Tremblay-Silva, Jamy Wheless
Computer Graphics Supervisors: Kevin Barnhill, Steve Braggs
CG Sequence Supervisors: Amelia Chenoweth, Lindy De Quattro, Indira
Guerrieri, David Hisanaga
Viewpaint Supervisor: Ronald Woodall
Digital Viewpainters: Scott Bonnenfant, Terry Molatore
Sabre Compositing Supervisor: Mark Casey
Lead Digital Paint and Roto Artist: Patrick Jarvis
Digital Paint and Roto Artists: Trang Bach, Lance Baetkey, Chris Bayz,
Michaela Carter, Lee Croft, Nika Dunne, Dan Feinstein, Aidan Fraser,
Dawn Gates, Michele Gray, Kimberly Headstrom, Marianne Heath, Sarahjane
Javelo, Susan Goldsmith, Elsa Rodriguez, Sam Stewart, Kate Turner, Erin
West, Doug Wright
Lead Matchmover: Selwyn Eddy III
Matchmovers: Ian Jenkins, Randolph Jonsson, Joshua Livingston, Luke
Longin, David Manos Morris, Dani Morrow, Melissa Mullin, Bob Powell,
Dave Sidley, Patrick Turner, Brandon Warner
Lead Zepo and Matchimation: David Hanks
Lead Technical Directors: Michael Halsted, Joshua Levine, Daniel Pearson
Technical Directors: Jean-Paul Beaulieu, Sam Breach, Tripp Brown, Dhyana
Brummel, Mario Capellari, Joshua Chapel, Paul Churchill, Jeff Ertl,
Brian Gee, Branko Grujcic, John Hansen, Neil Herzinger, Russell Koonce,
Jeroen Lapré, Toan-Vinh Le, Joshua LeBeau, David Marsh, Jennifer
McKnew, Scott Mease, Joseph Metten, Patrick Myers, Ken Nielsen, Jennifer
Nona, Henry Preston, R. Scott Prior, Philippe Rebours, Dylan Robinson,
Massimiliano Rochetti, Amanda Ronai, Alan Rosenfeld, Meghan Thornton,
Angela Traeger, Eric Voegels
On Set Data Capture Supervisor: Joel Aron
Additional Plate Supervision: Barry Armour
Plate Coordinator: Margaret Lynch
Miniatures Supervisor: Brian Gernand
Miniatures Directors of Photography: Carl Miller, Martin Rosenberg,
Patrick Sweeney
1st Assistant Camera: Michael Bienstock, Robert Hill, David Janssen
Gaffers: Richard Demolski, Rod Janusch, Michael Olague
Key Grips: William Barr, Thomas Cloutier, Joe Fulmer, Brad Jerrell
Digital Model Supervisor: Ken Bryan
Digital Modelers: Alyson Markell, Paul Theren, William Zahn
Model Makers: Peter Bailey, Carol Bauman, Salvatore Belleci, Don Bies,
Fon Davis, Bryan Dewe, Robert Edwards, David Fogler, Jon Foreman, Steve
Gawley, John Goodson, Barbara Hartmann-Jenichen, Peggy Hrastar, Erik
Jensen, Michael Lynch, Richard Miller, Wendy Morton, David Murphy, Lorne
Peterson, Thomas Proost, Mitch Romanauski, Nancy Servin, Kim Smith,
Lauren Vogt, Melanie Walas, Kevin Wallace
Creature Development Supervisor: Michelle Dean
Digital Matte Supervisor: Jonathan Harb
Digital Matte Painters: Yanick Dusseault, Giles Hancock, Pamela Hobbs,
Paul Huston, Toshiyuki Maeda, Joshua Ong, Richard Rische, Masahiko Tani,
Yusei Uesugi, Susumu Yukuhiro, Wei Zheng
Compositing Supervisors: Jon Alexander, Patrick Tubach
Compositing Sequence Supervisors: Stella Bogh, Stephen Kennedy, Kimberly
Lashbrook, Francois Lambert, Siobhan Lo, Tory Mercer, Jeff Sutherland
Compositors: Mimi Abers, Leah Anton, Okan Ataman, Al Bailey, Kathleen
Beeler, Colin Campbell, Leila Chesloff, Brian Connor, Don Crawford,
Scott David, Sam Edwards, David Fuhrer, Tim Gibbons, Cam Griffin, Shawn
Hillier, Sherry Hitch Jen Howard, Michael Jamieson, Michael Kennedy,
Paul Kirwan, Katrin Klaiber, Jessica Laszlo, Marcel Martinez
Will McCoy, Myles Murphy, Kim Ross, Tom Rosseter, Jerry Sells, Guerdon
Trueblood, Ronnie Williams Jr
Sabre Compositors: Caitlin Content, Orin Green, Adam Howard, Sebastien
Moreau, Chad Taylor, Alex Tropiec, Rita Zimmerman
Supervising Visual Effects Editor: Samuel Craven
Visual Effects Editors: Shannon Leigh Olds, Frayne Dyke-Walker, Michael
Gleason
Assistant Visual Effects Editors: Mandy Jacobs, Yvonne Valdez, Cheryl
Potter
Assistant Editor: James Milton
Visual Effects Art Director: Alexander Laurant
Concept Artists: Sang Jun Lee, Wayne Lo, Aaron McBride, Claudia Mullaly
Visual Effects Production Assistants: Sarah Jane Walsh, Brian Barlettani,
Ryan Mayeda
Colour Timing Supervisor: Bruce Vecchitto
Stage Production Manager: Bill Tlusty
Stage Coordinator: Stephen Riera
Technical Support -Brian Flynn, Zain Homer, Anthony Randolph
Scanning and Film: George Gambetta, Richard Gentner, Erik Pampel
Digital Plate Restoration: Chris Pinto, Ivy Williams
Research and Develoment: Phillip Hubbard
Video Engineering: Steven Wagner
Information Systems: Chad Smith
Computer Support: Steve Besselman
Senior Staff: Chrissie England
Miniatures Unit
Director of Photography: David Hardberger
MOCON Operator: Michael Kelly
Gaffer: Mark Jefferies
Electrics: Robbie Boyd
Key Grip: Andy Glaser
Best Boy Grip: Marcus Ballantine
Model Shop Standy: Greg Tuckwell, Craig Fison, Christopher Lane
Photon
Darling Neighbourhood Miniatures by: Photon
Pixel Playground Inc
Additional Composites: Pixel Playground Inc
Visual Effects Supervisor/Compositer: Don Lee
Inferno Compositors: Mark Robben, Philip Sisk, Gabriel Sanchez, Janet
Quen
CG Artist: David Bryant
R!OT
Visual Effects by: R!OT
Visual Effects Supervisor: Kenneth Nakada
Visual Effects Producer: Carole Cowley
V.P. Visual Effects: Andrea D'Amico
Visual Effects Production Manager: Jaime Norman
Visual Effects Lead Coordinator: Elaine Essex Thompson
Visual Effects Art Director: Michele Moen
Composite Supervisor: Stefano Trivelli
Compositors: Lawrence Littleton, Kelly Bumbarger, Jeff Zaman, Don Greenberg
Junior Compositors: Nabil Schiantarelli, Sean Wilson
Matte Painters: Laurent Ben-Mimoun, Rachel Kelley
Apprentice Matte Painter: Vanessa Cheung
3D Modeler: Shuichi Suzuki
3D Artists: Hans Payer, Marc-Andre Samson /Marcus LeVere
Avid Editor: Mitchell J. Glaser
Visual Effects Film Editor: Tommy Dorsett
Digital Color Timer: Greg Kimble
I/O Technicians: Glenn Clyatt, Nick Lund-Ulrich
I/O Supervisor, Data Management: Vincent Lavares
Sony Pictures Imageworks Inc
Special Visual Effects and Animation: Sony Pictures Imageworks
Inc, Culver City, California
Visual Effects Supervisor: Mark Stetson
Senior Visual Effects Producer: Cari Thomas
Visual Effects Executive Producer: Debbie Denise
Computer Graphics Supervisor: Rob Engle
Animation Supervisor: Pepe Valencia
Visual Effects Digital Production Manager: Eric Scott
Visual Effects Coordinator: Eric Withee
Senior Art Directors: Marzette Bonar, Michael Scheffe
Interactive Compositing Artists: Kirk Balden, Rob Blue, Marla Carter,
Det Chansamone, Tony Diep, Doug Forrest, Jennifer German, Don Greenberg,
Brian Hanable, Max Harris, Joni Jacobson, Mark Larranaga, Todd B. Mesher,
Chris Ryan, Rick Shick, Dave Takayama, Jon Tanimoto
Effects Technical Directors: Todd Boyce, Sean C. Cunningham, Zsolt Krajcsik,
Bill LeBarge
Modelers: Marcos Kang, Luis Labrador
Technical Animator: Aaron Campbell, Mitch Cockerham
Animators: Ana Maria Alvarado, Jordan Harris, Jay Jackson, Keith Kellogg,
Randy Link, Alex Tysowsky
Additional Matte Paintings by: Michael Lloyd
Texture Painter: Steven Eric Giesler
Sword Look Development: Mark Hall
MatchMovers: Erica Hornung, James H. Park, Joseph Thomas
Visual Effects Editor: Kristopher Kasper
Assistant Visual Effects Editor: James D. Kirkpatrick
Negative Handling: Boyd Steer
Lead Production Services Technician: Kevin Kitchel
Production Services Technicians: Ryan Bright, George T. Richman, Aaron
Wilson
Manager, Interactive Compositing: Dawn Guinta
Interactive Compositing Coordinator: Jason Anderson
VFX Accountant: Robb Miller
Digital Colour Timer: Paul McGhee
Lead Scanning Technician: Christopher Arreola
Film Recording Technician: Shallamar Poole
VFX Production Assistant: Christopher Antonini
Digital Production Management: Rachael Phillips
Coordinator, Digital Production: Jill Lopez
VP Production Services: C. Marie Davis
Senior Staff: Jenny Fulle, Tom Hershey, Stan Szymanski, Tim Sarnoff
Additional Visual Effects: Pacific Title and Arts Studios
Opening Sequence and Closing Miniatures: Cinema Production Services
Inc
Titles: yU+Co
DESIGN AND SET CONSTRUCTION
Production Designer: Roger Ford
Assistant Production Designer: Elaine Kusmishko
Supervising Art Director: Richard Hobbs
Art Director: Michelle McGahey
Assistant Art Director (Pirate Ship): Jim Millett
Assistant Art Director (Neverland): Fiona Scott
Assistant Art Director (London): Tony Williams
Set Designers: Godric Cole, Judith Harvey, Peter Milton, Edward Cotton,
Martin Ash
Set Decorator Coordinator: Christina Norman
Set Decorator: Kerrie Brown
Assistant Set Decorator: Marian Long
On Set Dressers: Peter Kodicek, Jac Charlton
Property Master: Richie Dehne
2nd Unit Props: James Cox, Glen Forte
LA Unit Property Master: C.J. McGuire
Assistant Property Master: Alice Lodge
Assistant Props: Andrew Hobbs, Deborah Eldred, Leland Kean
Standby Props: Robert Moxham
Assistant Standby Props: Nyree Winter, Gabriel Smith
Construction Supervisor: John Rann
Construction Managers: Jamie Gardner, Peter Fitness
Construction Engineering Manager: Marcus Smith
Construction Administration Manager: Beth Henwood
Head of Furniture Manufacturing: Andrew Macintyre
Standby Carpenter: Richard Crowe
2nd Unit Standby Carpenter: Sean Gannon
Scenic Artists: Peter Collias, Steve Sallybanks
Paint Foreman: Gary Grimes
Standby Painter: Glenn Neal
2nd Unit Standby Painter: Jol Simpson
Head Sculptors: Tony Lees, Michael Johnson, Ernie Fadul
Art Department Coordinator: Tim Lyall
Art Department Design Assistant: Annette Van Den Berg
Storyboard Artists: Tani Kunitake, Ray Harvie, Robin Richesson
Illustrators: Joshua Rosen, Michele Moen, Mariano Diaz, Max Dennison,
Michael Lloyd, Bob Smith, Dale Mackie
Visual Consultants: Iain McCaig, Brian Froud
Graphics: Wendy Buick, Johann Kwiatkowski, Kristin Reuter
Art Department Assistant: Bronwen Hollingworth
Art Department Runner: Caroline Phillips
Head Greensman: Peter Hordern
Greens Foreman: Alar Hordern
Greens Construction Foreman: Les Landon
OTHER CREW
Production Accountant: Elaine Crowther
Assistant Accountant: Prue Williams
Accounts Payable: Julie Wibberley, Tim O'Connor
Controller: Donald H. Walker
Production Secretaries: Caroline Austin, Jasmin Lyford
Production Assistants: Anomie, Chrissy Barnes, Kristine Fraser, Justin
Griffiths, Hilton Howson, Tim Hughes, Kelly Johnson, Kris Swales, Belinda
Wild
Assistants to P.J. Hogan: Cori Carlson, Nathalia Rayfield
Assistants to Douglas Wick: Amy Peltonen, Natasha Klibansky
Assistants to Lucy Fisher: Meghan Snyder, Tara Aucoin
Assistant to Jocelyn Moorhouse: Angela Miller
Assistant to Gail Lyon: Wittney Horton
Assistant to Charles Newirth: Dawn Clounch
Assistant to James Newton Howard: Annica Ackerman
LA Unit Transportation Coordinator: Joel Marrow
Unit Publicist: Fiona Searson
Gymnastic Trainer: Svetla Krasteva-Foley
Fencing Master: Gary Worsfield
Clearances: Miriam Johnson
Armourer: Allan Mowbray
Assistant Armourers: Gillian Butler, Marnie Pankowski
Acting Coach: John Kirby
Dialect Coaches: Penny Dyer, Helen Howard
Head Animal Trainer: Boone Narr
Animal Trainers: David Alsberry, Katie Brock
2nd Unit Safety Officer: Arthur Hoadley
Production Services: Village Roadshow Production Services Pty LTC
Pirate Guns: Pedersoil Davide and C. of Italy, AV Ballistics of Australia
ACKNOWLEDGMENTS
In Memory of the late Dodi Al Fayed
With the assistance of Pacific Film and Television Commission, Queensland,
Australia
With thanks and appreciation to Great Ormond Street Hospital for Children,
to whom J.M. Barrie bequeathed all his rights to Peter Pan
LOCATIONS
Locations: Queensland, Australia; New Zealand
Studio: Warner Roadshow Movie World Studios, Gold Coast, Australia
STUNTS
Stunt Coordinator: Conrad E. Palmisano
Australian Stunt Coordinator: Ric Anderson
1st Unit Stunt Coordinator: Bernie Ledger
Stunt Double for Jason Isaac: Steve Harman
Stunt Double for Jeremy Sumpter: Daniel McBurnie
Stunt Double for Rachel Hurd-Wood: Bonnie Morgan
Stunts: Ric Anderson, Keir Beck, Bradd Buckley, Harley D'Jekic, Kyle
Gardiner, Holly Graham, Arthur Hoadley, Angela Moore, Gary Morgan, Scott
O'Donnell, Andy Owen, Jesse Phillips, Mick Roughan, Yasca Sinigaglia,
Greg Skipper, Darko Tuskan, Mark Van Morsel
Fight Coordinator: Brad Allan
Head Stunt Rigger: Keir Beck
Stunt Riggers: Brendon Jakins, Ross Butler
CASTING
Casting by: Billy Hopkins, Suzanne Smith, Kerry Barden, Deborah Maxwell
Dion
Casting (UK): Shaheen Baig
Extras Casting: Fiona McMaster
Casting Assistant (Australia): Tracey Silvester
Casting Assistants (London): Tracey Brennan, Carlos Santana
Casting Assistants (Los Angeles): Kimberly Crowe, Chris Bustard
Casting Associate (Australia): Faith Martin
Voice Casting by: L.A. Mad Dogs
CAST
Jason Isaacs (Mr Darling/Captain Hook)
Jeremy Sumpter (Peter Pan)
Rachel Hurd-Wood (Wendy Darling)
Lynn Redgrave (Aunt Millicent)
Richard Briers (Smee)
Olivia Williams (Mrs Darling)
Geoffrey Palmer (Sir Edward Quiller Couch)
Harry Newell (John Darling)
Freddie Popplewell (Michael Darling)
Ludivine Sagnier (Tink)
Theodore Chester (Slightly)
Rupert Simonian (Tootles)
George Mackay (Curly)
Harry Eden (Nibs)
Patrick Gooch, Lachlan Gooch (twins)
Carsen Gray (Tiger Lily)
Maggie Dence (Lady Quiller Couch)
Kerry Walker (Miss Fulsom)
Matthew Waters (messenger boy)
Alan Cinis (Skylights)
Frank Whitten (Starkey)
Bruce Spence (Cookson)
Daniel Wyllie (Alf Mason)
Brian Carbee (albino)
Don Batte (giant pirate)
Frank Gallacher (Alsation Fogarty)
Septimus Caton (Noodler)
Jacob Tomuri (Bill Jukes)
Venant Wong (Quang Lee)
Phil Meacham (Bollard)
Darren Mitchell (Mullins)
Michael Roughan (Cecco)
Bill Kerr (Fairy Guide)
Celeste Macilwaine, Spike Hogan, Patrick Hurd-Wood, Brooke Duncan, Themora
Bourne, Alexander Bourne (sleeping children)
Bruce Myles (bank manager)
Maya Barnaby, Tory Mussett, Ursula Mills, Nadia Pirini, Vij Kaewsanan
(mermaids)
Janet Strauss (medicine woman)
Sam Morely (fairy bride)
Brendan Shambrook (fairy groom)
Saffron Burrows (narrator)
Rebel (Nana)
PLOT SUMMARY
The children of the Darling family are visited by Peter Pan, a boy
who never grew up, who teaches them to fly and whisks them off to Never
Never Land. There, the children find themselves caught up in Peter and
the Lost Boys' struggle with the evil pirate Captain Hook.
AVAILABILITY
Argentina
Theatrical Distributors: Columbia TriStar Films de Argentina
Australia
Theatrical Distributors: Universal Pictures
Canada
Theatrical Distributors: Universal Pictures
France
Theatrical Distributors: Universal Pictures
Israel
Theatrical Distributors: Revolution Studios
Netherlands
Theatrical Distributors: Columbia TriStar Films
New Zealand
Theatrical Distributors: Universal Pictures
Portugal
Theatrical Distributors: Revolution Studios
Scandinavia
Theatrical Distributors: Revolution Studios
South Africa
Theatrical Distributors: Universal Pictures
UK
Theatrical Distributors: UIP
USA
Theatrical Distributors: Universal Pictures/Columbia TriStar
CENSORSHIP HISTORY
UK
Rating: PG
USA
Rating: PG (for adventure action sequences and peril)
TIMELINE
2002
September
30: USA –filming begins
2003
May
5: USA –filming ends
June
23: UK - first theatrical trailer rated PG by the BBFC
August
22: UK - video trailer rated PG by the BBFC
October
28: UK - second theatrical trailer rated PG by the BBFC
November
13: UK - third theatrical trailer rated U by the BBFC
December
9: UK - rated PG by the BBFC
18: Australia – theatrical release
25: New Zealand, USA – theatrical release
26: UK – theatrical release
2004
January
9: Brazil – theatrical release
22: Argentina – theatrical release
February
4: France – theatrical release
6: Denmark, Sweden – theatrical release
19: Netherlands – theatrical release
March
25: Germany – theatrical release
31: Belgium – theatrical release
April
15: Czech Republic – theatrical release
POSTER TAGS
Let the fight begin
LINKS
SEE ALSO
Hook (1991)
Peter Pan (1924)
Peter Pan (1953)
Peter Pan (1960)
Peter Pan (1976)
Peter Pan (2000)
Peter Pan and the Lost Boys (1990)
Peter Pan and the Pirates (1990)
Peter Pan (1955)
REFERENCES
PERIODICALS
In Camera January 2004 pp.2-4 (USA)
illustrated article (Peter Pan flies at high speed)
KEYWORDS
book into film, children, flying, islands, pirates, play into film
Last Updated:
15 May, 2009
|
|
