The Terminator (1984)

Forty years from now, the human world is in ruins, and Earth is ruled by intelligent machines of destruction. Only one freedom fighter can overcome the monster machines, and the cybernetic bad guys have sent an unstoppable, unkillable, incredibly destructive humanoid robot, the Terminator (Schwarzenegger), back in time to contemporary Los Angeles to kill said hero's mother before he is born. Knowing only that the victim is called Sarah Connor, the Terminator works its way through the phone book terminating everyone with that name, while the real Sarah Connor (Linda Hamilton), a klutzy fast food waitress, falls in with a guerrilla (Biehn) sent by her unborn son to protect her. The Terminator is one of the best sf / horror / action films in years, plundering ideas from old Outer Limits episodes and a relentless, rollercoaster pacing from Halloween. Schwarzenegger is great as the murderous cyborg, wiping out discos full of dancers or police stations full of cops in its single-minded search for Sarah Connor, and gradually losing its human shape to appear as a genuinely scary Schwarzenegger skeleton. Apart from its obvious excitement values, the film has a nicely underplayed sense of humour and a surprising fatalism about the fate of the human race.
KIM NEWMAN

First Published In: City Limits no.171 (January 11-17 1985) p.23 (UK)


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