Apartment Zero [1988]

In Buenos Aires, mother-dominated Anglo-Argentine Adrian LeDuc [Colin Firth], manager of a repetory cinema, takes in brash American Jack Carney [Hart Bochner] as a tenant. After the charming young man has become a hero to all the other tiresomely daffy tenants of the apartment building, Adrian realises he is in fact a mad killer, late of the military dictatorship's death squads. A repressed spinsterish individual whose favourite film is probably Peeping Tom, Adrian becomes fascinated with Jack, and joins him as a partner in crime, collaborating with the disposal of a corpse, and after Jack's death transforming himself into another psycho, preserving his dead friend's body in the flat for company and dressing up in leathers to walk the night.

An extended, fairly draggy psycho-thriller, caught somewhere between whimsy and meanness, this has effective, edgy performances which don't make up for the attenuated storyline and general meandering feel. The Buenos Aires setting is distinctive, with British biddies Dora Bryan and Liz Smith somehow marooned in a decaying South American block of flats that has more than a whiff of Roman Polanski's backlist about it. Argentine-born American director Martin Donovan, whose credits range from the werewolf western Mad at the Moon to the Amanda Donohoe Bitch-From-Hell thriller The Substitute, collaborated with future blockbuster specialist David Koepp on the screenplay. Donovan made Apartment Zero from the script, but Koepp bizarrely kept working on it and a year later Bad Influence - his own, very different version - was shot in Hollywood by Curtis Hanson, with James Spader and Rob Lowe taking over from Firth and Bochner.
KIM NEWMAN

First published in this form here.


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