Angustia [1986]

A real weirdie. It starts out as The Mommy, a sleazo slasher movie with midget Zelda Rubinstein - the incredibly irritating medium from the Poltergeist films - as a smothering mother hypnotising her blubbery psycho son [Michael Lerner] into committing a series of gruesome, eyeball-gouging murders in true video nasty style. Then it shifts its layer of meta-fiction to a cinema where another psychopath has been hypnotised by the film into committing copycat killings, and goes really crazy when Lerner, in the film-within-film, goes into a cinema to commit more atrocities and the audience start imitating the actions of the film. It's a pretentious cocktail of the sort you might expect if you caught Reborn, Luna's last movie, but in its mix of levels of reality and use of the cinema setting it's a few notches ahead of Demons and manages to pull off several genuinely witty/unnerving reversals. It gets a mite tedious at times with its multiple repetitions, but it's certainly a worthy attempt to do something different with an often debased area of filmmaking. Fans of eyeball gouging would be well advised to check it out. My only real complaint is that Rubinstein doesn't suffer enough.
KIM NEWMAN

First Published In: City Limits [issue unknown]


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