Hollow Man [2000]

Country of Origin: USA
Year of Production: 1999
Running Times: 112 mins
Format: colour [DeLuxe] 35mm
Ratio: 1.85:1
Sound: DTS Dolby EX 6.1 SDDS

PRODUCTION
Production Companies: Columbia Pictures Corporation / Global Entertainment Productions GmbH and Company Medien KG
Executive Producer: Marion Rosenberg
Producers: Alan Marshall, Douglas Wick
Co-Producer: Stacy Lumbrezer
Associate Producer: Kenneth J. Silverstein
Production Manager: Robert Latham Brown
Senior Production Coordinator: Brian Wildstein
Production Coordinator: Mitchell Bell
Production Coordinator [Washington D.C.]: Katherine Dorrer
Assistant Production Coordinator: Diane Jones

SCRIPT
Script: Andrew W. Marlowe
Story: Gary Scott Thompson, Andrew W. Marlowe

DIRECTION
Director: Paul Verhoeven
2nd Unit Director: Scott E. Anderson
1st Assistant Director: Louis D'Esposito
2nd Assistant Director: Michael Viglietta
2nd 2nd Assistant Director: Shari Hanger
2nd Unit Assistant Director: Thomy Harper

PHOTOGRAPHY
Director of Photography: Jost Vacano
2nd Unit Director of Photography: Anette Haellmigk
Wescam Operator: John Trapman
2nd Unit Camera Operator: Philippe Carr-Forster
1st Assistant B Camera / Steadicam: Todd Schlopy
2nd Assistant Camera: Philip Shanahan
Assistant Camera: Gregory Irwin
Camera Loader: Daniel C. McFadden
2nd Unit Additional Camera Loader: Kia Dawson [uncredited]
Lighting Technicians: Jason Kilgore, John Haselbusch, Ken W. Ballantine, Matthew Hawkins, Scot Gaal
Best Boy: Benard McNulty
Grips: Nicholas Grieco, Peter McAdams
Computer and Video Playback Supervisor: Glenn Cannon
2nd Unit Video Assist Operator: Robert Sterry
Colour Timer: Jim Passon
Lab: DeLuxe

EDITING AND POST PRODUCTION
Editor: Mark Goldblatt
1st Assistant Editors: Catherine Chase, Ian Slater
Assistant Editor: Charlotte Spencer
Avid Technicians: Eric Rigney, Dale Jones [uncredited]
Negative Assembler: Dee Storm
Negative Cutter: Mo Henry

MUSIC
Music: Jerry Goldsmith
Orchestrator: Alexander Courage
Music Editor: Darrell Hall
Music Programmer: Nick Vidar
Orchestra Contractor: Isobel Griffiths

SOUND
Production Sound Mixer: Joseph Geisinger
Boom Operator: Raul A. Bruce
Re-Recording Mixers: Gary Gegan, Michael Minkler
Supervising Sound Editor: Scott Hecker
Assistant Sound Editor: Carmen Flores De Tanis
Supervising Dialogue Editors: Hugo Weng, Michael J. Benavente
Dialogue Assistant: Jeena M. Phelps
ADR Mixer: Charleen Richards
Assistant ADR Editor: Ron Vignone
ADR Elevator Voice: Gail Thomas [uncredited]
Sound Effects Editors: Bradley C. Katona, Brian Thomas Nist, Eric A. Norris, Gary Krause, Jason W. Jennings
Foley Artists: Matt Dettman, Gary A. Hecker
Foley Mixer: Richard Duarte
Foley Editors: Mark Papas, Christopher Flick

MAKE UP AND COSTUMES
Make Up Supervisor: Whitney James
Make Up: Luisa Abel
Costume Designer: Ellen Mirojnick
Set Costumers: Carrie Bauer, Susi Campos

SPECIAL MAKE UP EFFECTS
Special Make Up Effects: Todd Bates, Brian Wade [uncredited]
Special Make Up Effects Sculptor: Don Lanning

SPECIAL EFFECTS
Special Effects Supervisor: Hans Metz
Special Effects: Ken Niederbaumer, Nathalie Gonthier, Stan Parks
Special Effects Foreman: Richard Stutsman
Pyro Supervisor: Dave Greene
2nd Unit Pyrotechnics Coordinator: Richard Stutsman
Lighter: MacDuff Knox
Special Effects Set Designer: William Aldridge
Special Effects Office Coordinator: Salvy Maleki
Special Effects Assistant: Donn Markel [uncredited]
Supervising Puppeteer: Alec Gillis
Puppeteer: Christine Papalexis

Amalgamated Dynamics Inc
Mechanics: Yancy Calzada
Laboratory Technician: Grady Holder
Mold Department: Steve Newburn [uncredited]

VISUAL EFFECTS
Senior Visual Effects Supervisor: Scott E. Anderson
Visual Effects Supervisor: Craig Hayes
Digital Effects Supervisors: Mark A. Lasoff, Scott Stokdyk
Additional Sequence Supervisor: Mark Lambert
Head of Physical Production: John Radulovic
Digital Effects Producer: Brian Keeney
Associate Visual Effects Producer: Blondel Aidoo
Digital Production Managers: Chris Juen, Jody Echegaray
Transformation Sequence Supervisor: Laurence Treweek
Visual Effects Coordinators: Jamie Stevenson, Kandece Brown, Lindsay Burnett
Visual Effects Assistant Coordinators: Christian Hejnal, Mickey Levy
Visual Effects Executive Producer: Jenny Fulle
Visual Effects Producer: B.Z. Petroff
Visual Effects Associate Producer: Audrea Topps Harjo
Visual Effects: Arnaud Peiny, Charles Rose, Kevin Paul Sheedy, Markus Burki
Senior CG Supervisor: Thomas Hollier
CG Supervisors: Heather Baker, Jim Berney
Sequence CG Supervisor: Peter G. Travers
CG Producer: Gail Wise
Animation Coordinator: Elizabeth Hitt
Lead Animator: Eric Reynolds
Animators: Ana Alvarado, Matt Logue
CG Character Animation Supervisor: Eric Armstrong
CG Character Animation Leads: Harry Walton, Spencer Cook
CG Character Animators: Tom Gurney, Alex E. Sokoloff, Ana Alvarado, David B. Vallone, David Schaub, Delio Tramontozzi, Dominick Cecere, Jason McDade, Jeff Lin, Jim Moorhead, Kevin Hudson, Kevin Wilcox, Minhee Choe, Paul Jessel, Thomas R. Dickens, Thomas Schelesny, Pepe Valencia
Muscle Man Animator: Kelly Wilcox
Effects Animation Leads: Curtis Edwards, Jeff Wolverton, Robert Winter, Rod Paul, Steve Lavietes
Effects Animators: Dan Ziegler, Daniel Ma, Doug Yoshida, John Ly, John T. Lee, Michael Edland, Paul Van Camp, Tim Teramoto
CG Artists: Glenn Cannon, David Bleich, Gloria Geary, Hector Tantoco, John McGee, Justin Graham, Koji Morihiro, Mark DeSousa, Mark Hamilton, Max Bruce, Patrick Kavanaugh, Shellaine Corwel, Lopsie Schwartz [uncredited]
CG Animation Support Leads: John McLaughlin, Peter Nofz
CG Animation Support: Aaron Campbell, Anthony Serenil, Chris Waegner, John Musumeci
Character Set Up Supervisor: Jeremy Cantor
Character Set Up: Josh Reiss
Character Modeler: Michael Hobbs
Creature Setup Technical Director: Leif Einarsson
CG Animation Technology Supervisor: Kee-Suk 'Ken' Hahn
Digital Model Supervisor: Wayne Kennedy
Rotoscope and Paint Lead: Joanne Ladolcetta
Rotoscope Artists: John Shourt, Cynthia Aragon, Dan Feinstein, Etienne Terblanche, Jeff Ziter, LaNelle Mason, Lea Lambert, Lisa Kahatriya, Marvin Jones, Matt Wilson, Michael Kaelin, Marc Nanjo [uncredited]
Paint / Roto Artists: Lance Baetkey, Nika Dunne, Lance Baetkey
Digital Painters: Andrew Goldstein, Christine Troianello, James Lee, Joe Salazar, Nathalie Gonthier, Susan Kornfeld
Model Supervisor: Wayne Kennedy
Miniature / Breakaway Effects Supervisor: Gustavo R. Ferreyra
Production Manager: Mark Lyon
Look Development Leads: Greg Anderson, Laura Scholl
Look Development / Colour and Lighting: Brian Steiner, David A. Smith, David Stephens
Look Development / Texture Painters: Apryl Knobbe, Raquel Morales
Programming Technical Directors: Axel Dirkson, Gokhan Kisacikoglu, Peter Palombi
Senior Technical Directors: Arnon Manor, Clint Hanson, Paolo Costabel, Simon Maddocks, Rob House
Senior Character Technical Director: James Polk [uncredited]
Senior Technical Director: Rob House
Lead Technical Director: Darren Lurie
Technical Directors: Craig Halperin, Patrice d.S. Saenz, Sho Igarashi, Steven Quinones-Colon, Virginia Bowman, Andy Garcia [uncredited]
Shader Writers: Danny Dimian, Laurent Charbonnel, Mark Hall
Shot Set Up Lead: Francisco De Jesus
Shot Set-Ups: Allen Ruilova, Patrick Cohen, Theodore Bialek
Visual Effects Director of Photography: David Stump
Colour and Lighting: Aaron Smith, Adrian Iler, Alan Davidson, Bela Brozsek, Ben Hayden, Benjamin Lishka, Kate Choi, Keith McCabe, Kevin Hahn, Kiki Candela, Lutz Müller, Lyndon Li, Raji Kodja, Seth Maury, Shine Fitzner
2nd Assistant Camera: Mike Gentile
Gaffer: Shane D. Kelly
Lead High Rigger: Rome Duval
CG Playback Operator: Glenn Cannon
Digital Colour Timer: John Nicolard
Assistant Colour Timers: Anthony Harris, Paul McGhee [uncredited]
Texture Paint Lead: Kerry Nordquist
Texture Painters: Justine Sagar, Rachel Kelley
Compositing Leads: Bart Giovanetti, Daniel Eaton, Greg Derochie
Digital Compositors: Aliza Sorotzkin, Bonjin Byun, Clint Colver, Colin Campbell, Harry Gundersen, Ian Wosiski, Jim Green, Katie Hecker, Michael Hemschoot, Paul Kulikowski, Rick Shick, Russ Sueyoshi, Scott McKee, Tim Llewellyn, Whit Eldridge, Winston Quitasol
Compositor: MacDuff Knox
Interactive Compositing Coordinator: Jason Anderson
Interactive Compositing Manager: Dawn Guinta
Interactive Compositing Digital Production Manager: Thomas F. Ford IV [uncredited]
Interactive Compositing Lead: Jennifer German
Interactive Compositing: Andrew Mumford, Doug Forrest, Jon Tanimoto, Todd Hemsley
Match Move Lead: Jep Hill
Match Move Artists: Bill Ball, David Spencer, David Worman, Didier Levy, Jeff W. Smith, John Schmidt, Ralph Sevazlian, Rod Ibanez, Eric Marko, Joanie Karnowski, Mark Welser [uncredited]
On-Set Match Move Supervisor: Charlie Clavadetscher
On-Set Match Move Assistant: Eric Peterson
Motion Control Camera Operator: Eric Pascarelli
Inferno Artist: Dawn Bowery
Lead Film Recordist: Derrick Quarles
Lead Scanning Operator: Chris Arreola
I/O Supervisor: Dennis Webb
Render Supervisor: Brandon Craig [uncredited]
Senior Engineer: Barry Walton
Senior Staff: Barry Weiss, Bill Villareal, George H. Joblove, Stan Szymanski, Tim Sarnoff, Tom Hershey
Mechanical Designer: Jeff Deyoe
Physical Production Art Director: Phil Notaro
Pre-Visualization: Andrew Titcomb
Previsualization Designer: Colin Green
Technology Supervisor: Tasso Lappas
Systems Engineering Department Manager: Alberto Vélez
Systems Administrators: Gerardo De La Cruz, Phred Lender, Kevin Tengan [uncredited]
Software Supervisor: Amit Agrawal
Software Engineering Leads: Cottalango Loorthu, Hiro Myoshi
Software Engineers: Evan Smyth, Bruce Navsky, Chris Allen, Michael Kabella, Min-Zhi Shao
Systems Research and Development Lead: Rusty Case
Systems Research and Development: Anthony Ceccomancini, Bruce Dobrin, Nick Bali
Equipment Manager: Allen Mansour
Digital Effects Research and Development: Scot Shinderman
Administrative Coordinator: Lisa Zusmer
Production Assistants: Chris McLeod, Jennifer Juen, Pia Turchyn
Training and Artist Development: Sande Scoredos
Script Supervisor: Lynn Sisco
Stage Manager: Mel Dunson
Technical Assistants: Alfonso Alpuerto, Arthur Sutherland, C.J. LePage, Cory McMahon, Derek Carlson, Jamal Sullivan, Kurosh Valnejad, Nathan Eriksen, Taigne Hammock
Visual Effects Editors: Annie Mahlik, Jody Rogers, Maia Veres, Peter S. Elliot, Kevin Rose-Williams [uncredited]
Video Editor: Mary Biondo
Machinist: Tony Aylett
Manager Recruiting: Robin Thompkins
Prop Maker: Carlyle O. Livingston II [uncredited]
Motion Control Video Assist Operator: Bryce Shields
Main Title Designer: Picture Mill

Back From the Ranch Entertainment
Visual Effects Producer: Casey Cannon
Lead Artist: Brian C. Davis
CG Artist: Todd Vaziri

Rhythm and Hues
Digital Artist: Arthur Jeppe
Visual Effects Compositor: Andrew Schwartz
Visual Effects Publicist: Scot Byrd [uncredited]

Sony Pictures Imageworks
Visual Effects Producer: Susan MacLeod
Digital Effects Supervisor: Rodney Iwashina [uncredited]
Digital Operations Manager: Andra Bard [uncredited]
Senior CG Supervisor: David Jones
CG Supervisor: Walter F. Hyneman [uncredited]
Sequence Producer: John Clinton
Effects Animator: Todd Boyce
Technical Directors: Raji Kodja, Seth Lippman, Andy King
Senior Colour / Lighting and Compositing: Eric Bruneau
Lighting and Colour Technical Directors: Eric Hanson, Carol Ashley
Animation Supervisor: Anthony LaMolinara
3D Senior Artist: Theo Vandernoot
3D Artist, Lighter and Compositor: Carol Ashley
Senior Digital Artist: Nicole Herr
Digital Artist: Quentin Frost
Texture Painter / Effects Artist: Elizabeth Metzker
Texture Painter: Joshua Geisler-Amhowitz
Character Modeller: Edward Taylor IV
Senior Compositor: Bob Peitzman
Compositor: Sascha Luderer
Conceptual Designer: Miles Teves
Lead Technical Assistant: Chris Yee
Motion Control Programmer: Todd W. Spencer
Match Move: Mark Siew
Stills: Michael Douglas Middleton
Video Assistant: Todd W. Spencer

Tippett Studio
Visual Effects Coordinator: Marty Holthaus
Associate Visual Effects Supervisor: Frank Petzold
Lead Visual Effects Coordinator: Christine Sugrue
Visual Effects: Tulio Hernandez
Technical Directors: Lloyd Bernberg, Matthew M. Robinson
Assistant Technical Director: Søren Ragsdale
Character Animator: Morgan Ratsoy
Lead Animation Setup: Aaron Holly
Digital Artist: Garrett Honn
Digital Camera Operator: Nathan Abbot
Digital Colour Correction: Matthew Tomlinson, Page Frakes
Digital Compositor Sequence Lead: Jim McVay
Digital Compositors: Alan Boucek, Guerdon Trueblood
Compositor: Jeff A. Johnson
Digital Roto/Paint Artist: Dawn Gates
Digital Film I/O Supervisor: David Rosenthal
Digital Film I/O Manager: Vicki Wong
Digital Scanner Technician: Stephen Stanton
Lead Production Assistant: Kirk Larkins
Software Developer: Markus Burki

Visual Effects Concepts
Illustrator: Joshua Geisler-Amhowitz

DESIGN AND SET CONSTRUCTION
Production Designer: Allan Cameron
Art Director: Dale Allen Pelton
Assistant Art Director: Sue Chan
Set Designer: Daniel R. Jennings
Set Decorator: John M. Dwyer
Property Master: Teri Anne Kopp
Plaster Foreman: Richard A. McCarthy
Art Department Coordinator: Katherine Lambert
Greens Foreman: Jim Wardell

MISCELLANEOUS
Script Supervisor: Haley McLane
2nd Unit Script Supervisor: Dea Cantu
Assistant Accountant: Tish Johnson
2nd Assistant Accountants: Aillene Laure Bubis, Kenny Gallagher, Paul Pawlowski
Visual Effects Accountant: Jackie Szymanski
Set Production Assistant: Brian Feeney
Production Assistants: Daniel J. Cook, David Waters, Kevin Watkin
Production Assistant [Washington D.C.]: Christopher Scott [uncredited]
Assistant to Producer: Tim Roche
Assistant to Doug Wick: David A. Schreiber
Production Secretaries: Natalie Ungvari, Stephani Hunter
Purchasing Agent: Dan Gindroz
Rigging Technician: Tommy Holmes
Technical Consultant: Chris Miller
Transportation Coordinator: Joel Renfro
Catering: Michelson Food Services Inc

LOCATIONS
Locations: Los Angeles, California, USA; Washington DC, USA
Location Manager: William Bowling
Assistant Location Manager: J. Chan Claggett
Location Scout: Joseph Martin

STUNTS
Stunt Coordinators: Gary Combs, Gil Combs
Stunts: April Weeden, Bill McAdams Jr, Lane Combs, Lincoln Simonds, Phil Culotta, Sharon Schaffer
Stunt Double For Elizabeth Shue: Laura Lee Connery
Utility Stunts: Matt Byrne

CASTING
Casting: Jim Choate, Howard Feuer, Jason B. Shoubin
Extras Casting: Lee A. Miles [uncredited]

CAST
Elisabeth Shue [Linda McKay]
Kevin Bacon [Sebastian Caine]
Josh Brolin [Matthew Kensington]
Kim Dickens [Sarah Kennedy]
Greg Grunberg [Carter Abbey]
Joey Slotnick [Frank Chase]
Mary Randle [Janice Walton]
William Devane [Dr Howard Kramer]
Rhona Mitra [Sebastian's neighbour]
Pablo Espinosa [warehouse guard]
Margot Rose [Mrs Kramer]
Jimmie F. Skaggs [wino]
Jeffrey George Scaperrotta [boy in car]
Sarah Bowles [girl in car]
Kelli Scott [mom]
Steve Altes [dad]
J. Patrick McCormack [General Caster]
Darius A. Sultan [gate guard]
Tom Woodruff Jr [Isabelle the gorilla]
David Vogt [helicopter pilot]
Gary Hecker [gorilla vocals]

Scientists Sebastian Caine and Linda Foster develop a serum which can render humans invisible. Caine tries out the serum on himself and it seems to work – but there doesn't appear to be a way to reverse the process which is driving Caine insane. His colleagues have to find a way to both survive Caine's rampage and also find a way to restore him to visibility.

Verhoeven's follow-up to Starship Troopers proved to be a hugely disappointing invisible man variation that simply recycles tired slasher movie clichés laced with state-of-the-art special effects. Verhoeven does what he can but the script is unspeakably bad, riddled with errors, logic gaps and plot holes and shot through with some of the very worst dialogue ever written. Painfully bad and one for committed Verhoeven fans only. And even they will feel short-changed...

Argentina
Theatrical Distributor: Columbia TriStar Films de Argentina

France
Theatrical Distributor: Columbia TriStar Films

Germany
DVD Distributor: Columbia / Tristar

Iceland
Theatrical Distributor: Skífan

Japan
Theatrical Distributor: Sony Pictures Entertainment Inc

Norway
Theatrical Distributor: ECT

Spain
Theatrical Distributor: Columbia TriStar Films de España S.A.

UK
DVD Distributor: Columbia / Tristar [CDR 29085]

USA
Theatrical Distributor: Columbia Pictures
Video Distributor: Columbia / TriStar Home Video
DVD Distributor: Columbia / Tristar Home Video [05072]; Columbia / Tristar [08997]

CENSORSHIP HISTORY

Argentina
Rating: 16

Australia
Rating: MA

Chile
Rating: 14

Denmark
Rating: 15

Finland
Rating: K-16

France
Rating: -12

Germany
Rating: 16

Hong Kong
Rating: IIB

Japan
Rating: PG-12

Netherlands
Rating: 16

Norway
Rating: 15

Portugal
Rating: M/12

Singapore
Rating: PG

Spain
Rating: 13

Sweden
Rating: 15

Switzerland
Rating: 14

UK
Rating: 18

USA
Rating: R [for strong violence, language and some sexuality / nudity]

2000
Bogey Awards, Germany
Bogey Award - winner

Locarno International Film Festival
Audience Award [Paul Verhoeven] – winner

2001
Academy Awards, USA [Oscars]
Best Effects, Visual Effects [Scott E. Anderson, Craig Hayes, Scott Stokdyk, Stan Parks] - nominated

Academy of Science Fiction, Fantasy and Horror Films, USA [Saturn Awards]
Best Special Effects [Scott E. Anderson, Craig Hayes, Scott Stokdyk, Stan Parks] - winner
Best Music [Jerry Goldsmith] - nominated
Best Science Fiction Film - nominated

Blockbuster Entertainment Awards, USA
Favorite Actor - Science Fiction [Kevin Bacon] - winner
Favorite Actress - Science Fiction [Elisabeth Shue] - nominated
Favorite Supporting Actor - Science Fiction [Josh Brolin] - nominated
Favorite Supporting Actress - Science Fiction [Kim Dickens] - nominated

MTV Movie Awards, USA
Best Villain [Kevin Bacon] - nominated

World Stunt Awards, USA [Taurus Awards]
Best Fire Work [Phil Culotta] - winner
Best High Work [Lincoln Simonds] - nominated

1999
April
26: USA – shooting begins

June
25: USA – shooting ends

August
Day Unknown: USA – additional shooting begins

2000
August
2: USA – theatrical premiere
4: Canada, USA – theatrical release
24: Australia, Netherlands – theatrical release
30: Spain – theatrical release
31: New Zealand – theatrical release

September
1: Portugal – theatrical release
2: South Korea – theatrical release
7: Argentina, Hong Kong, Israel, Malaysia, Peru – theatrical release
8: Poland, Sweden, Turkey – theatrical release
13: Philippines – theatrical release
14: Egypt – theatrical release
15: Finland – theatrical release
20: Belgium, France – theatrical release
21: Czech Republic, Hungary, Switzerland [German speaking region] – theatrical release
22: Iceland – theatrical release
29: Brazil, Estonia, Greece, Norway, UK – theatrical release

October
6: Denmark – theatrical release
12: Croatia, Germany – theatrical release
13: Italy – theatrical release
14: Japan – theatrical release
15: Russia – theatrical release

November
1: Venezuela – theatrical release
4: Indonesia [Jakarta] – theatrical release
9: Indonesia, Slovenia – theatrical release
24: India – theatrical release

2001
January
2: USA - DVD release [Columbia / Tristar [05072]]

March
26: UK - DVD release [Columbia / Tristar [CDR 29085]]

April
5: Germany - DVD release [Columbia / Tristar]

May
19: Kuwait – theatrical release

2002
May
28: USA - DVD release [Columbia / Tristar [08997]]

Think You're Alone? Think Again.

There's more to fear than you can see

You trust your eyes. You rely on your senses. You think you're alone. Think again.

Open your eyes

Think Invisible, Be Invisible

What would you do if you knew you couldn't be seen?

Hollow man - L'homme sans ombre - French advertising title
Hollow Man - Mies ilman varjoa - Finnish title
Hollow Man - Unsichtbare Gefahr - German title
El hombre sin sombra - Mexican / Spanish title
O Homem Sem Sombra - Brazilian title
O Homem Transparente - Portugese title
L'homme sans ombre - French Canadian / French title
Invisible - Japanese title
L'uomo senza ombra - Italian title

SEE ALSO
The Invisible Man [1933]
Scary Movie 2 [2001]

FOOTAGE INCLUDED IN
Elevator Finale [2000]
Fleshing Out the Hollow Man [2000]
The Invisibility Formula [2000]
Hollow Man: Anatomy of a Thriller [2000]
The Mask [2000]
The Muscle Man [2000]
Paul Verhoeven: Hollywood's Mad Scientist [2000]

MAGAZINES

DVD and Laserdisc Newsletter no.197 [January 2001] p.2 [USA]
review [by Douglas Pratt]

Entertainment Weekly no.553 [4 August 2000] pp.31-39 [USA]
article [Diary of a Hollow Man Part 1 by Kevin Bacon]

Entertainment Weekly no.554 [11 August 2000] pp.31-37; 47-48 [USA]
article [Diary of a Hollow Man Part 1 by Kevin Bacon]; review [Missing Person [B-] by Owen Gleiberman]

Entertainment Weekly no.576 [5 January 2001] p.54 [USA]
review [Video: Hollow Man [B-] by Arion Berger]

epd Film vol.17 no.10 [1 October 2000] p.51 [Germany]
review [Paul Verhoevens Trash-Version des 'Unsichtbaren Mannes' by Helmut Merschmann]

film dienst vol.53 no.21 [10 October 2000] p.19 [Germany]
review [Hollow Man - Unsichtbare Gefahr by Franz Everschor]

The New Yorker [14 August 2000] pp.88-89 [USA]
review [The Current Cinema: Nowhere To Go by David Denby]

KEYWORDS

acid, animals, animal experiments, drowning, electrocution, elevators, experiments, flame throwers, gorillas, impalement, infra-red, insanity, invisibility, invisible man, laboratories, mad scientists, magnets, mirrors, pools, sex, voyeurism