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From Dusk Till Dawn (1996)
Country of Origin: USA
Year of Production: 1995
Running Times: 108 mins
Length: 3076 metres
Format: Technicolor 35mm
Ratio: 1.85:1
Sound: Dolby SDDS
CREDITS
PRODUCTION
Production Companies: A Band Apart / Dimension Films / Los Hooligans
Productions / Miramax Films
Executive Producers: Lawrence Bender, Quentin
Tarantino, Robert Rodriguez
Producers: Gianni Nunnari, Meir Teper
Co-Producers: Elizabeth Avellan, John Esposito, Paul Hellerman, Robert
Kurtzman
Production Manager: Paul Hellerman
Unit Production Manager: Luz María Rojas
Production Coordinator: Dawn Todd
SCRIPT
Script: Quentin
Tarantino
Story: Robert Kurtzman
DIRECTION
Director: Robert Rodriguez
1st Assistant Director: Douglas Aarniokoski
2nd Assistant Director: Brian Bettwy
2nd 2nd Assistant Director: Dieter 'Dietman' Busch
PHOTOGRAPHY
Director of Photography: Guillermo Navarro
Camera Operators: Guillermo Navarro, Robert Rodriguez
Steadicam Operator: Robert Rodriguez
Additional Steadicam Operator: David Chameides
1st Assistant Camera: Ziad Doueiri
2nd Assistant Camera: Camille Freer, Timothy Kane
Assistant Camera: Timothy James Kane
Camera Loader: David E. Berryman
Gaffer: Eric S. Foster
Electrician: Heather M. Hillmeyer
Best Boys Electric: Andrew T. Watts, Nathan Hathaway
Key Grip: Rick Stribling
Grips: Jason 'Jake' Cross, Jose Ricardo 'Stickshift' Martinez
Dolly Grip: Bob Ivanjack
Colour Timer: David Orr
Stills: Joyce Rudolph
Lab: Technicolor
EDITING AND POST-PRODUCTION
Editor: Robert Rodriguez
1st Assistant Editor: Daniel Fort
Assistant Editor: Ethan Maniquis
Post-Production Supervisor: Tamara Smith
Negative Cutter: Mo Henry
MUSIC
Music: Graeme Revell
Orchestrator: Tim Simonec
Songs: Dave Alvin (Dark Night); Tina Larriva, Steven Huffstater (After
Dark; Angry Cockroaches); David Vaught (Texas Funeral); Buddy Guy (Mary
Had A Little Lamb); Bill Carrier, Ruth Elliott Ellsworth (Willie The
Pimp (And His Cadillac Coffin)); Jimmie Vaughn (Dengue Woman Blues;
Jimmie's Jam); ZZ Top (Mexican Blackbird; She's Just KIlling Me); George
Tomasco (Torquay); Tina Larriva (Opening Boxes); Raul Hain, Evan York
(Foolish Heart)
Songs Performed By: The Blasters (Dark Night); Tito and Tarantula (After
Dark; Angry Cockroaches; Opening Boxes); Joe Wayne (Texas Funeral);
Stevie Ray Vaughn and Double Trouble (Mary Had A Little Lamb; Willie
The Pimp ((And His Cadillac Coffin)); Jimmie Vaughn (Dengue Woman Blues;
Jimmie's Jam); ZZ Top (Mexican Blackbird; She's Just KIlling Me); The
Leftovers (Torquay); The Mavericks (Foolish Heart)
Music Supervisors: Mary Ramos, Michelle Kuznetsky
Music Sound Design: Brian Williams
Score Mixer: Dan Wallin
Scoring Mixer: Wolfgang Amadeus
Music Editor: Joshua Winget
Music Consultants: Chuck Kelley, Mary Ramos
SOUND
Sound Designer: Brian Williams
Production Sound Mixer: Mark Ulano
Boom Operators: Gloria Cooper, Patrushkha Mierzwa
Re-Recording Mixers: Robert Rodriguez, Sergio Reyes
Supervising Sound Editor: Dean Beville
Sound Editor: Greg Hedgepath
Assistant Sound Editor: Bob Wishnefsky
Dubbing Recordist: Tim Gomillion
Dialogue Editor: Frank Smathers
Sound Effects Designer: Charles Maynes
Sound Effects Editors: Charles E. Smith, Rob Nokes, William Jacobs
Foley Mixer: Robert Deschaine
Foley Artists: Solange Boisseau, Scott Curtis
Foley Walkers: Laura Macias, Sean Rowe
Cable Person: Christopher Sposa
Dolby Stereo Sound Consultant: Thom 'Coach' Ehle
COSTUMES AND MAKE-UP
Key Make Up: Ermahn Ospina
Assistant Make Up: Don Malot, Heidi Grotsky
Key Hair: Ermahn Ospina
Hair For George Clooney: Waldo Sanchez
Assistant Hair: Don Malot
Costume Designer: Graciela Mazón
Costume Supervisor: Jacqueline Aronson
SPECIAL MAKE UP EFFECTS
Make Up Effects Supervisors: Greg Nicotero, Howard Berger, Robert Kurtzman
Make Up Effects Designer: John Bisson
Make Up Effects Coordinator: Kamar Bitar
Make Up Effects: Norman Cabrera, Mark Alfrey
Make Up Effects Shop Foreman: Shannon Shea
SPECIAL EFFECTS
Mechanical / Pyro Effects: Bellissimo / Belardinelli Effects Inc
Mechanical Effects Coordinator: T. 'Brooklyn' Bellissimo
Mechanical Effects: Larry Odien
Animatronic Technician: Hal Miles
Animatronic Electronics: Alan McFarland
Special Effects Sculptor: Evan Campbell
VISUAL EFFECTS
Digital Imagery / Compositing: The Post Group
CGI Bat Visual Effects: VIFX
3D Custom Bat Datasets: Viewpoint Datalabs International
Visual Effects Executive Producer: Mark Franco
Visual Effects Producer: Josh R. Jaggars
Visual Effects Supervisors: John C. Wash, Daniel Fort, Diana Dru Botsford
Visual Effects Coordinator: Rochelle Gross
Visual Effects Director: Diana Dru Botsford
Visual Effects: Morris May
Visual Effects Animator: Gina Warr
Pre-Visualization Artist: Gina Warr
Matte Painting: Illusion Arts Inc
Matte Artists: Mike Wassel, Karen deJong
1st Assistant Director: David Rimer
Director of Photography: James Belkin
Gaffer: Brian Louks
Electrician: Jose Ricardo 'Stickshift' Martinez
Key Grips: John 'JW' Warner, Kevin Wadowski
Script Supervisor: Rochelle Gross
Titles and Opticals: Cinema Research Corporation
DESIGN AND SET CONSTRUCTION
Production Designer: Cecilia Montiel
Art Director: Mayne Schuyler Berke
Assistant Art Director: Adam Lustig
Set Designer: Colin De Rouin
Set Decorator: Felipe Fernández del Paso
Set Dresser: Paul Dowler
Buyer: Jennie Harris
Property Masters: Caylah Eddleblute, Steve Joyner
Prop Maker: Bruce Harris
Construction Coordinator: Brian Markey
Paint Foreman: Chris Barnes
Sculptor: Alex Bogartz
Art Department Coordinator: Abigail Sheiner
Lead Man: Chris Carriveau
MISCELLANEOUS
Script Supervisor: Lou Ann Quast
1st Assistant Accountant: Venus Ventura
Office Production Assistant: Geoff Hale
Assistant to George Clooney: Amy Minda Cohen
Dialect Coach: Jon Sperry
Dog Trainers: Alvin Mears, Chandra Marrs, Nicholas Toth
Snake Trainer: Jules Sylvester
Transportation Coordinator: Derek 'Speed' Raser
Drivers: George E. Sack Jr, Paul Burlin
Special Weapons Designer: Steve Joyner
Snake Dance Choreographer: Salma Hayek (uncredited)
LOCATIONS
Locations: Austin, Texas, USA; Barstow, California, USA; Lancaster,
California, USA; Los Angeles, California, USA; Redmond, Washington,
USA; Seattle, Washington, USA
Location Manager: Robert E. Craft
Assistant Location Manager: Douglas Dresser
ACKNOWLEDGMENTS
Special Thanks: Scott Spiegel
STUNTS
Stunt Coordinator: Steve Davison
Stunt Double For George Clooney: Troy Robinson
Stunts: Anita Hartshorn, Bennie E. Moore Jr, Billy H. Hooker, Billy
'William' Lucas, Erik L. Rondell, Hugh Aodh O'Brien, Jeffrey Imada,
Jennifer J. Caputo, Randall J. Hall, Robert F. Brown, Steve Davison,
Thomas Huff, Tim Davison, Timothy P. Trella, Troy T. Brown, Buddy Joe
Hooker, Chad Randall, Dana Hee, Danny Rogers, Eddie L. Watkins, Frank
Torres, Freddie Hice, Gary McLarty, Gregory Nicotero, Henry Kingi, Lance
Gilbert, Manny Perry, Matt Johnston, Matt Johnstone, Michele Burkett,
Nadine Grycan, Richie Gaona, Robin Lynn Bonaccorsi, Rosine 'Ace' Hatem,
Scott Wilder, Spice Williams, Steve Holladay, Tom Harper, Troy Gilbert,
Troy Robinson, William H. Burton
CASTING
Casting Assistant: Mary Jane Lavacca
Extras Casting: Rainbow Casting, Jeff Olan
CAST
Harvey Keitel (Jacob Fuller)
George Clooney (Seth Gecko)
Quentin Tarantino
(Richard Gecko)
Juliette Lewis (Kate Fuller)
Ernest Liu (Scott Fuller)
Salma Hayek (Santanico Pandemonium)
Cheech Marin (border guard / Chet Pussy / Carlos)
Danny Trejo (Razor Charlie)
Tom Savini (Sex Machine)
Fred Williamson (Frost)
Michael Parks (Texas Ranger Earl McGraw)
Brenda Hillhouse (Hostage Gloria)
John Saxon (FBI Agent Stanley Chase)
Marc Lawrence (old timer motel owner)
Kelly Preston (Kelly Houge)
John Hawkes (Pete Bottoms)
Tito Larriva (Titty Twister guitarist and vocalist)
Peter Atanasoff (Titty Twister saxophonist)
Johnny 'Vatos' Hernandez (Titty Twister drummer)
Aimee Graham (blonde hostage)
Heidi McNeal (red-headed hostage)
Ernest M. Garcia (Big Emilio)
Gregory Nicotero (Sex Machine's buddy)
Cristos (Danny)
Mike Moroff (Manny)
Michelle Berube, Neena Bidasha, Veena Bidasha, Ungela Brockman, Madison
Clark,
María Díaz, Rosalia Hayakawa, Janine Jordae, Jacque Lawson,
Houston Leigh, Janie Liszewski, Tia Texada, Annette Harper (uncredited)
(bar dancers)
Jon Fidele, Michael McKay, Jake McKinnon, Josh Patton, Walter Phelan,
Wayne Toth, Henrik von Ryzin (monsters)
Lawrence Bender (man in diner - uncredited)
PLOT SUMMARY
Brothers Seth and Richie Gecko are on the lam, Richie having sprung
his beloved bother from jail. Heading for the Mexico border, the boys
wreak mayhem in a roadside convenience store and have the combined forces
of Texan law and order on their tails. When the sexually deviant and
deeply repellant Richie rapes and murders their hostage, Seth arranges
to abduct faithless minister Jacob and his children, Kate and adopted
son Scott and have them drive their RV across the border to The Titty
Twister, a seedy trucker and biker hangout where the Gecko's are planning
to meet their contact at dawn. Once inside the Twister, however, and
hypnotised by the seductive allure of demonic dancer Santanico Pandemonium
the reluctant travellers realise too late that the bar caters to a very
special clientele - vampires.
CAPSULE REVIEW
The result is a brutal, schizophrenic but undeniably fun monster romp
the likes of which just hadn't been seen in too many years. Unlike so
many of the late 80s horror comedies that came so close to bringing
the genre to its knees, From Dusk Till Dawn never plays
the monsters purely for laughs - the humour stems from the wildly inventive
(if rather desperate) measures adopted by the increasingly beleagured
humans to defend themselves. The vampires are truly spectacular and
hideous creatures, effortlessly morphing from scraggy bikers or sensuous
lap dancers into deformed creatures not a million miles from the bat
like creature seen in Francis
Ford Coppola's woeful Bram
Stoker's Dracula (1992). Messy, inconsistent but altogether
a splendid and often hysterical romp through some of the best and worst
of the genre's many excesses.
AVAILABILITY
Brazil
Video Distributors: Vídeo Arte
Canada
Theatrical Distributors: Alliance Atlantis Communications
Germany
Theatrical Distributors: Scotia Deutschland
Video Distributors: BMG Video
Portugal
Theatrical Distributors: Filmes Castello Lopes
Spain
Theatrical Distributors: Laurenfilm S.A.
UK
Laserdisc Distributors: Encore (EE 1178)
DVD Distributors: Dimension Home Video (D888199)
USA
Theatrical Distributors: Dimension Films
Video Distributors: Buena Vista Home Video
Laserdisc Distributors: Dimension (12160 AS); Dimension (9474 AS); Dimension
(8016 AS)
DVD Distributors: Dimension Home Video (14373); Dimension Home Video
(Special Edition 18631)
CENSORSHIP HISTORY
Australia
Rating: R
Belgium
Rating: KNT
Canada
Rating: R
Chile
Rating: 18
Denmark
Rating: 15
Finland
Rating: K-18
France
Rating: -16
Germany
Rating: 18 (nf)
Hong Kong
Rating: III
Iceland
Rating: 16
Ireland
Rating: banned; 18
Italy
Rating: VM18
Netherlands
Rating: 16
Norway
Rating: 18
Portugal
Rating: M/16
Spain
Rating: 18
Sweden
Rating: 15
UK
Rating: 18
USA
Rating: R (for strong violence and gore, language and nudity)
AWARDS
1996
Academy of Science Fiction, Fantasy and Horror Films, USA (Saturn Awards)
Best Actor (George Clooney) – best actor
Best Horror Film – best actor
Amsterdam Fantastic Film Festival, Netherlands
Scream Award (Robert Rodriguez) - winner
MTV Movie Awards, USA
Best Breakthrough Performance (George Clooney) - winner
1997
International Horror Guild, USA
Best Movie - nominated
Razzie Awards, USA
Worst Supporting Actor (Quentin Tarantino) - nominated
TIMELINE
1995
June
Day Unknown: USA – filming begins
August
Day Unknown: USA – filming ends
1996
January
19: Canada, USA – theatrical release
17: Spain – theatrical release
18: Australia – theatrical release
26: Brazil – theatrical release
May
9: Hong Kong – theatrical release
31: UK – theatrical release
June
14: Denmark, Mexico – theatrical release
15: Japan – theatrical release
26: France – theatrical release
July
4: Germany – theatrical release
12: Norway – theatrical release
26: Sweden – theatrical release
August
2: Finland – theatrical release
September
5: Slovenia – theatrical release
October
27: Morocco – theatrical release
November
1: South Africa – theatrical release
8: Poland – theatrical release
20: USA - laserdisc release (Dimension (9474 AS); Dimension (8016 AS))
1997
January
3: Italy – theatrical release
31: Portugal – theatrical release
February
6: Hungary – theatrical release
June
13: UK - laserdisc release (Encore (EE 1178))
1998
June
16: USA - DVD release (Dimension Home Video (14373))
August
5: USA - laserdisc release (Dimension (12160 AS))
September
5: South Korea – theatrical release
November
9: UK - DVD release (Dimension Home Video (D888199))
2000
October
3: USA - DVD release (Dimension Home Video (Special Edition 18631))
POSTER TAGS
Vampires. No Interviews.
From Quentin Tarantino. From Robert Rodriguez. From Dusk Till Dawn
The Showdown is on
One night is all that stands between them and freedom. But it's going
to be a hell of a night.
How far can Too Far go?
ALTERNATIVE TITLES
Aberto Até de Madrugada - Portugese title
Abierto hasta el amanecer - Spanish title
Alkonyattól pirkadatig - Hungarian title
Dal tramonto all'alba - Italian title
Del crepúsculo al amanecer - Argentinian / Venezuelan
title
Hämärästä aamunkoittoon - Finnish
title
La nuit la plus longue - French Canadian title
Obert fins a la matinada - Catalan Spanish title
Od mraka do zore - Slovenian title
Od zmierzchu do switu - Polish title
Um Drink No Inferno - Brazilian title
Une nuit en enfer - French title
LINKS
SEQUELS
From Dusk Till Dawn 2: Texas Blood Money (1999)
From Dusk Till Dawn 3: The
Hangman's Daughter (2000)
FOOTAGE INCLUDED IN
Full Tilt Boogie (1997)
Hollywood Goes to Hell (2000)
SEE ALSO
Dogma (1999)
Evil Dead II (1987)
From Dusk Till Dawn (2001)
Night of the Living Dead (1968)
REFERENCES
NEWSPAPERS
A Capital 31 January 1997 (Portugal)
review (by Francisco Perestrello)
Diario de Noticias 2 February 1997 (Portugal)
review (by Eurico De Barros)
Diário de Notícias 12 June 1999 p.55
(Portugal)
review
Diario de Noticias, Programas 31 January 1997 (Portugal)
review (by Joao Antunes)
Expresso, Cartaz 1 February 1997 (Portugal)
review (by Manuel Cintra Ferreira)
Svenska Dagbladet 26 July 1996 (Sweden)
review (Vampyrklimp i blodsoppa by Elisabeth Sörenson)
MAGAZINES
Cinefantastique June 1996 pp.42, 60 (USA)
illustrated article
Dark Star no.13 p.14 (UK)
review
Empire June 1996 pp.26-27 (UK)
illustrated review (by Mark Salisbury)
Empire July 1996 p.10 (UK)
note
epd Film vol.13 no.7 (1 July 1996) p.48 (Germany)
review (by Hans Schifferle)
Femme Fatales March 1996 pp.51-55, 60 (USA)
illustrated article
Film Review June 1996 p.20 (UK)
illustrated review (by Anwar Brett)
Film Threat April 1996 pp.18-19 (USA)
illustrated review
FilmMagasinet July 1996 p.59 (Norway)
review (by Kathrine Kristiansen)
Imágenes May 1996 p.116 (Spain)
review (by Ruiz De Villalobos)
Première July 1996 p.33 (France)
review (by Jean-Yves Katelan)
Shivers no.30 pp.40-42 (UK)
illustrated article
Studio July / August 1996 p.20 (France)
review (by Patrick Fabre)
Video Watchdog no.35 pp.15-16 (USA)
review
KEYWORDS
crossbows, decapitation, fugitives, gore, hostages, mexico, preachers,
psychopaths, racism, rape, severed heads, shapeshifters, sieges, splatter,
strippers, the supernatural, texas rangers, twist endings, vampires
Last Updated:
15 October, 2008
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