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Cover Girl Killer (1960)

Country of Origin: UK
Year of Production: 1959
Running Times: 61 mins
Format: black and white     35mm
Length: 5500 ft     1676 metres
Ratio:
Sound:

CREDITS

PRODUCTION
Production Company: Parroch Films
Producer: Jack Parsons
Production Manager: Jacques de Lane Lea

SCRIPT
Script: Terry Bishop

DIRECTION
Director: Terry Bishop
Assistant Director: Peter Yates

PHOTOGRAPHY
Director of Photography: Gerald Gibbs
Camera Operator: Eric Williams

EDITING AND POST-PRODUCTION
Editor: John Trumper

MUSIC
Music: William Davies

SOUND
Sound Recordist: Pip Pearson
Dubbing Editor: Ernest Hosler

MAKE-UP AND COSTUMES
Make Up: Tom Smith
Hair: Hilda Fox
Wardrobe: Brenda Gardner

DESIGN AND SET CONSTRUCTION
Art Director:
Andrew Campbell

OTHER SOURCES
Continuity: Phyllis Townshend

LOCATIONS
Studio: Walton Studios, Walton-on-Thames, England, UK

CAST
Harry H. Corbett (the man)
Felicity Young (June Rawson)
Spencer Teakle (John Mason)
Victor Brooks (Inspector Brunner)
Bernadette Milne (Gloria Starke)
Christina Gregg (Joy Adams)
Tony Doonan (Sergeant)
John Barrard (Lennie Ross)
Charles Lloyd Pack (Captain Adams)
Alan Edwards (Hodgkins)
Dermot Kelly (Pop)
Denis Holmes (actor)
Julie Shearing (Rosie)
Tony Thawnton (doctor)
Paddy Joyce (stagehand)
Claude Jones (Constable Jones)
John Baker (plain clothes man)

PLOT SUMMARY

A young Canadian, John Mason, inherits a girly magazine, Wow, but finds himself caught up in the machinations of the eponymous killer who dons a wig and pebble glasses as a disguise. Inspector Brunner persuades Mason to let him use his magazine to lay a trap for the killer, putting showgirl June Rawson on the cover in the hope of attracting his attention.

CAPSULE REVIEW

The tacky title promises much low rent sleaze and depravity but hopelessly fails to deliver the goods. Corbett is surprisingly good as the killer, but a typically British reserve holds it back from achieving its full potential. Bishop's script is full of priceless pretensions (Corbett slaughters showgirls "to give Man back his dignity, to free him from the prison of lustful images which foul his mind and his sanity") and packed to the rafters with red herrings and pointless diversions to pack a meager storyline to a barely adequate 61 minutes. Bishop succeeds only in taking a fuzzy snapshot of the sleazy underbelly of late 50s London, an underexposed study lacking in detail or contrast.

AVAILABILITY

UK
Theatrical Distributors: Butcher's Film Service/Eros

CENSORSHIP HISTORY

UK
Rating: X

TIMELINE

1960
February

Day Unknown: UK - theatrical release

1998
April

15: UK - television broadcast (on ITV)

1999
March

11: UK - television broadcast (on ITV)

2000
May

15: UK - television broadcast (on ITV)

2001
April

5: UK - television broadcast (on ITV)

REFERENCES

MAGAZINES

Daily Cinema no.8264 (5 February 1960) p.5
review (by C.B.)

The Dark Side October/November 1994 pp.17-18
review

Flesh and Blood no.4 p.107
review

Kine Weekly no.2731 (4 Feb 1960) p.30
review

Monthly Film Bulletin vol.27 no.314 (March 1960) p.36
credits, synopsis, review

BOOKS

English Gothic (2nd Edition) by Jonathan Rigby p.81
review

KEYWORDS

serial killers, magazines, publishers, police, models

 


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