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The American Nightmare (2000)
Country of Origin:
USA/UK
Year of Production: 2000
Running Times: 75 mins
Format: black and white/colour 35mm
Ratio:
Sound: Dolby SR
CREDITS
PRODUCTION
Production Companies: Independent Film Channel/Minerva Pictures
Executive Producer: Caroline Kaplan
Producers: Paula Jalfon, Colin MacCabe, Jonathan Sehring
Associate Producer: Eliza Mellor
Production Manager: Emma Whitely
Manager of Production For IFC: Alison Palmer Bourke
Toronto Coordinator: Deborah Zwicker
Los Angeles Coordinator: Bob Bress,
Pittsburgh Coordinator: Amy Murray
SCRIPT
Script: Adam Simon
DIRECTION
Director: Adam Simon
PHOTOGRAPHY
Camera: Immo Horn
Rostrum Camera: Simon Bedford
Digital Film Facilities: Lukkien Digital Film Facilities
Lab: Cineco B.V., Amsterdam, Netherlands
EDITING AND POST PRODUCTION
Editor: Paul Carlin
Online Editor: Neil Patience
Assistant Online Editor: Adam Inglis, Vivid Post-Production
MUSIC
Music: Karlheinz Stockhausen; Godspeed You Black Emperor!
Additional Music: Leechwoman; Yellow 6; Manuel De Fala; Frederico Mompou
Music Courtesy Of: MCPS; Nimbus Records; Rough Trade Publishing Ltd;
Stockhausen-Verlag (Aus den Sieben Tagen; Tierkreis; Kurzwellen)
SOUND
Sound Recordists: John Quinn, Chris Syner
Dubbing Mixer: Alex Marcou
DESIGN AND SET CONSTRUCTION
Colourist: Katherine Grincell
Graphic Designers: Paul Welsley Griggs, Teak Mu Tse
MISCELLANEOUS
Newsreel Researcher: Stuart McKay
Stills Researcher: Margaret Johnson
Insurance Services: Media Insurance Brokers
IFC On-Air Talent Public Relations: Clien + White Inc
Photographs: The Associated Press Ltd; John
Carpenter; Wes Craven;
Katz Pictures Ltd; Library of Congress; Tom
Savini; Topham Picturepoint; Warren Publishing Company
Film Extracts: ABC News; CBS News Archives; Compass International Pictures;
Alfred Cuomo, Italy; The Film Company Ltd, London; Films Around the
World Inc; Tobe Hooper; The Image Bank; Image Ten; The Institute For
the Advanced Study of Human Sexuality; ITN Archive; Laurean Productions
Inc; Lions Gate Films Inc; Magnum Motion Pictures Inc; Masters and Johnson
Clinic; The MKR Group Inc; National Archives; NBC News Archives; Sean
S. Cunningham Films Ltd; Troma Entertainment Inc; Universal Studios
Licensing Inc; The WPA Film Library
ACKNOWLEDGMENTS
Special Thanks To: Robin Wood; Toronto Film Festival; John Landis
With Thanks To: Hercules Bellville; Cathi Gibson; Nancy Condee; Helene
Connolly; Steve Jones; Kent State University; Bonnie Metro; Marc Morris;
Carol Mysliwiec; Kim Newman; Chris Romero; Sandy Russo; Elayne Tobin;
Marcia Zwilling-Hooper; Department of Englsih, University of Pittsburgh
CAST
John Carpenter
(himself)
Carol J. Clover (himself)
Wes Craven (himself)
David Cronenberg
(himself)
Tom Gunning (himself)
Tobe Hooper (himself)
John Landis (himself)
Adam Lowenstein (himself)
George A. Romero
(himself)
Tom Savini (himself)
PLOT SUMMARY
A study of the American horror film as it developed throughout
the 1960s and 70s, complete with illustrative clips and plenty of interviews
with some of the key players.
CAPSULE REVIEW
A first rate look at the development of the North American
horror film during the 60's and 70's that avoids simply being a clip
show and actually has something interesting to say about the genre.
Simon illustrates how upheavals in US culture during the two decades
under examination informed the best horror films of the era. A valuable
and intelligent piece of work that should be required viewing for anyone
with a serious interest in the genre.
AVAILABILITY
UK
DVD Distributors: Anchor Bay Entertainment (ABD4207 - part of the The
Hills Have Eyes set)
TIMELINE
2000
September
11: Canada - World Premiere at the Toronto Film Festival
2001
February
8: Germany - shown at the Berlin International Film Festival
9: USA - theatrical release
June
9: Australia - shown at the Sydney Film Festival
17: UK - television broadcast (on FilmFour)
July
5: Czech Republic - shown at the Karlovy Vary Film Festival
August
29: Japan - theatrical release
October
8: Sweden - shown at the Stockholm Film Festival
LINKS
INCLUDES FOOTAGE FROM
Bride of Frankenstein
(1935)
The Brood (1979)
The Crazies (1973)
Dawn of the Dead
(1978)
Dracula (1931)
Frankenstein (1931)
The Funhouse (1981)
Halloween (1978)
It Came from
Outer Space (1953)
Last House on
the Left (1972)
Maniac (1980)
Night of
the Living Dead (1968)
Rabid (1977)
Scanners (1981)
Shivers (1975)
The Texas Chain
Saw Massacre (1974)
Videodrome (1983)
White Zombie (1932)
The Wolf Man (1941)
REFERENCES
screen
credits
KEYWORDS
documentary, film makers, film history
Last Updated:
19 October, 2008
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