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Alone in the Dark (1982)
Country
of Origin: USA
Year of Production: 1982
Running Times: 90 mins91
mins92 mins93 mins
Format: colour
Ratio:
Sound: Dolby stereo
CREDITSPRODUCTION
Production Companies: Masada Productions/New Line
Productions
Executive Producer: Benni Korzen
Producer: Robert Shaye
Associate Producer: Sara Risher
Production Manager: Robert Maier
Production Co-Ordinator: Linda Laius
SCRIPT
Screenplay: Jack Sholder
Story: Jack Sholder, Robert Shaye, Michael Harpster
DIRECTION
Director: Jack Sholder
1st Assistant Director: James Bigham
2nd Assistant Director: Matthew Malach
PHOTOGRAPHY
Director of Photography: Joseph Mangine
Assistant Camera: Robert Zimmerman
Loaders: Richard Elliano, Alex Livesey
Gaffer: John Foster
Best Boy: William Klayer
2nd Electrician: David Beckerman
3rd Electrician: Gilles Arnaud
Key Grip: Tom Anderson
2nd Grip: Peter Spera
Stills: Barry Wetcher
Camera Equipment: Pro Camera
Colour: Cineffects
EDITING
Editor: Arline Garson
Assistant Editor: Carole Penner
App Editor: Neil Wenger
Negative Conforming: Match Cut Film Services
MUSIC
Music Supervisor: David Franco
Music: Renato Serio
Assistant Music Editor: Jean Standish
Music Recording Engineer: Pino Bernardini
Songs/Performed By: The Sic F*cks (Chop Up Your Mother;
Rock Or Die; Take Me To The Bridge; Insects Rule My
World)
Songs Produced By: Adny Shernoff
Soundtrack Published By: Usignolo Music
SOUND
Post Production/Sound Recording: Sound One Corporation,
New York
Supervising Sound Editor: Joe Masefield
Assistant Sound Editor: Steven Visscher
Dialogue Editor: Lou Kleinman
Boom: Richard Williams
Re-Recording: Mel Zelnicker
Foleys: Elisha Birnbaum
Location Mixer: Allan Byer
COSTUMES AND MAKE-UP
Make Up/Hair: Lyzanne Goodson
Assistant Make Up: Anthony Hughes
Costume Designer: Alexandra de Marande
Assistant Costumes: Wendy Hubschman, Star Gabrielle
Wardrobe: Suzanne O'Sullivan
SPECIAL MAKE UP
Special Make Up Effects: Thomas Brumberger, Don Lumpkin
Additional Make Up Effects: Tom
Savini
SPECIAL EFFECTS
Pyrotechnic Effects: Matt Vogel
Titles and Optical Effects: Cinopticals Inc
DESIGN AND SET
CONSTRUCTION
Art Director: Peter Monroe
Art Department Staff: Amy Diaz, Joan Brockschmidt
Carpenter: William Neumann
Stand-by Props: Jill Frank
Outside Props: David Reale, Josh Harrison
LOCATIONS
Location Manager: Gale Goldberg
OTHER CREW
Script Supervisor: Adrienne Hamalian
Script Intern: Nera Bendor
Unit Manager: Stephen Marrlo (?)
Prod Assistant: William Bellettiere, Conrad Fink, David
Goodman, Bill Hale, Scott McQueen, Marjorie Phillips,
Todd Rankin
Production Comptroller: Stephen Abramson
Accountant: Rachel Talalay
Worldwide Sales: Stanley Dudelson, New Line International
Sporting Goods: Amf Voit Inc; Kings Department Stores;
Penn Athletic Prods
Cars Supplied By: Cooper Classics, Cars of Yesterday
Archery Supplies: Butts and Bows
Appliances and Electronics: Sajra Distributors/Tapex
STUNTS
Stunt Co-Ordinator: Cliff Cudney
CASTING
Casting: Deedee Wehle
Extra Casting: Michael Kara Associates
CAST
Jack Palance (Frank Hawkes)
Donald Pleasence (Dr Leo Bain)
Martin Landau (Byron "Preacher" Sutcliff)
Dwight Schultz (Dan Potter)
Erland Van Lindth (Ronald "Fatty" Elster)
Deborah Hedwall (Nell Potter)
Lee Taylor-Allan (Toni Potter)
Phillip Clark (Tom Smith/Skaggs)
Elizabeth Ward (Lyla Potter)
Brent Jennings (Ray Curtis)
Carol Levy (Bunky)
Keith Reddin (Billy)
Annie Korzen (Marissa Hall)
Lin Shaye (receptionist at Haven)
Dorothy Dorian James (mom)
John Weissman (bicycle messenger)
Jana Schneider (spaced-out girl at club)
Robert Pastner (customer in diner)
Larry Pine (Dr Harry Merton)
Frederick Coffin (Jim Gable)
Mallory Jones (anchorwoman)
Laura Esterman (woman voyager)
Michael Earl Reid (cursing voyager)
Paula Raflo (voyager)
Steve Daskawisz (doctor)
Michael Medeiros (club manager)
E.D. Phillips (jailer)
Norman Beim (cop at Haven)
Ken Burns (cop at house)
Ralph Corrado Jr (looter)
PLOT SUMMARYDuring a power cut, a
gang of psychotics escape from the Haven maximum security
psychiatric hospital and begin to stalk the psychiatrists
who they believe have tormented them with their
experimental theories.
AVAILABILITYUK
Theatrical Distributor: Rank
Video Distributor: Rank
USA
Theatrical Distributor: Asso Film/New Line Cinema
Video Distributor: RCA/Columbia
CENSORSHIP HISTORYAustralia
Rating: M
UK
Rating: 18 (cut by 15 sec)
USA
Rating: R
TIMELINE1982
October
1: USA - theatrical release
1983
May
6: UK - theatrical release
POSTER TAGSToo frightened to breathe...
ALTERNATIVE TITLESSoli nel buio - Italian
title
Zwei Stunden vor Mitternacht - German
title
LINKSSEE ALSO
Friday the 13th
Part 3: 3D (1982)
Friday the 13th (1980)
FOOTAGE INCLUDED IN
Terror in the Aisles
(1984)
REFERENCESMAGAZINES
Cinefantastique vol.13
no.4 (April-May 1983) p.61
review
L'Ecran Fantastique no.15
(1980) p.53 (France)
review
Fangoria 25 pp.34-37, 62
illustrated article
Is It Uncut? 3 p.31
illustrated review
Kerrang! 44 p.13
illustrated review
Melody Maker 7 May 1983
review
New Musical Express 21
May 1983
review
Photoplay January 1984
p.52
review
Video World February 1984
p.24
review
NEWSPAPERS
Daily Mail 6 May 1983
review
Mail on Sunday 8 May 1983
review
BOOKS
Aurum Encyclopedia of Film: Horror
(2nd Edition) p.373
credits, review
Elliot's Guide to Films on Video
(4th Edition) p.19
credits, short review, UK video data
Hoffman's Guide to SF, Horror and
Fantasy Movies 1991 - 1992 p.20
credits, review
Horror and Science Fiction Films
III p.10
credits
Virgin Film Yearbook 2
p.7
credits, review
OTHER
SOURCES
screen
credits
KEYWORDS blackouts, mental institutions, psychiatric patients, psychiatrists,
revenge, sieges, bars, postmen
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