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The Adventures of Baron Munchausen
(1988)
Country
of Origin: UK/West Germany/Italy/Spain
Year of Production: 1988
Running Times: 125 mins
Format: Eastmancolor 35mm 70mm
Ratio: 1.66:1
Sound: Dolby SR 70mm
6-Track (70mm prints)
CREDITSPRODUCTION
Production Companies: Columbia Pictures Corporation /
Prominent Pictures/Laura Film/Allied Film-Makers
Executive Producers: Jake Eberts, Alyssa Cartegena
(uncredited)
Production Executives: Robert Edwards, Joyce Herlihy
Supervising Producer: Stratton Leopold
Producer: Thomas Schühly
Co-Producers: Ray Cooper, Ilya Salkind (uncredited)
Line Producer: David Tomblin
Supervisor: Stratton Leopold
Production Supervisors: Arthur Tarra, Joyce Herlihy
Production Managers: Charles Torbett, Gianni Fivino
Production Manager (Italy): Pino Butti
Production Manager (Spain): Francisco Molero
2nd Unit Production Manager: Giorgio Russo
Unit Managers: Fernando Marquesire, Vittorio Fornasiero
Production Coordinators: Gail Samuelson, Nancy R. Levin,
Susana Prieto
SCRIPT
Script: Terry Gilliam, Charles McKeown
Stories: Erich Raspe
DIRECTION
Director: Terry Gilliam
2nd Unit Director: Michele Soavi
1st Assistant Directors: John Cozzo, Lee Cleary
2nd Unit 1st Assistant Director (Spain): Javier
Chinchilla
Assistant Director (Italy): Luca Lachin
Assistant Director (Spain): José Luis Escolar
2nd Unit Assistant Director (Italy): Catherine Ventura
2nd Unit 2nd Assistant Director (Spain): Javier Balaguer
3rd Assistant Director: Manuel L. Cañizares
2nd Unit 3rd Assistant Director (Spain): Manuel Zarzo
PHOTOGRAPHY
Director of Photography: Giuseppe Rotunno
2nd Unit Director of Photography: Giovanni Fiore
Coltellacci
Camera Operator: Franco Bruni
1st Assistant Camera: Gianmaria Majorana
2nd Unit Assistant Camera: Roberto Marsigli, Umberto
Lucignano
2nd Assistant Camera: Giovanni Piperno, Daniele Cimini
Supervising Gaffer: Renato Sardini
Gaffer: Spartaco Sardini
2nd Unit Gaffer: Spartaco Sardini
Electricians: Claudio Frollano, Francesco Quattrone,
Gianni Gentili, Giorgio Pasqualini, Giuseppe Bertucci,
Giuseppe Fabrizi, Ignazio Maccarone, Luciano Marrocchi,
Mario Bramucci, Massimo Bertucci
Key Grip: Aldo Colanzi
2nd Unit Chief Grip: Elio Bosi
Stills: Franco Bellomo, Sergio Strizzi
Video Operator: Ian Kelly
2nd Unit Video Operator: Giovanni Piperno
EDITING AND POST-PRODUCTION
Editor: Peter Hollywood
Assistant Editors: Ben Palmer, Bill Barringer, Christine
Newell, Martyn Robinson, Mick Monks, Natalie Baker,
Stefna Smal, Steve Maguire, Chris Blunden
Associate Editor: Chris Blunden
MUSIC
Music: Michael Kamen
Song: Eric Idle, Michael Kamen
Orchestrator/Conductor: Michael Kamen
Additional Orchestrators: Alan Arnold, Ed Shearmur,
Fiachra Trench, John Fiddy, Rick Wentworth
Music Producers: Michael Kamen, Ray Cooper
Music Recordist: Stephen McLaughlin
Music Editor: Christopher Brooks
Orchestral Engineer: Eric Tomlinson
Orchestra Manager: Paul Talkington
Music Preparation: Vic Fraser
SOUND
Sound Designers: Frank Jahn, Peter Pennel
Sound: Frank Jahn
Boom Operators: Günther Ruckdeschel, Raymond Meyer
Sound Mixer: Frank Jahn
Supervising Sound Editor: Peter Pennell
Sound Editors: Bob Risk, Colin Miller, Peter Horrocks, Rusty Coppleman
Chief Dubbing Mixer: Graham V. Hartstone
Dubbing Mixers: Michael A. Carter, Nicolas Le Messurier
MAKE UP AND
COSTUMES
Make Up Supervisor: Fabrizio Sforza (uncredited)
Make Up Designer: Maggie Weston
Make Up: Pam Meager, Enrico Iacoponi, Alfredo Tiberi,
Antonio Maltempo, Cristina De Rossi, Gino Tamagnini
2nd Unit Chief Make Up (Spain): Fernando Pérez Sobrino
2nd Unit Make Up (Spain): José Pérez, Manuel Martín
Hair Supervisor (Italy): Iole Cecchini
Hair: Carla Indoni, Elisabetta De Leonardis, Giancarlo
Marin, Pam Meager
2nd Unit Hair (Spain): Alicia Regueiro
Costume Designer: Gabriella Pescucci
Wardrobe Supervisor: Gregorio Simili
2nd Unit Wardrobe Supervisor (Spain): Martín Díaz
Wardrobe Master: Gregorio Simili
2nd Unit Wardrobe Master (Spain): Gianni Doddi
Wardrobe Mistress: Irene Santarelli
Wardrobe Assistant: Celeste Franzi
SPECIAL EFFECTS
Special Effects Supervisor: Richard Conway
Special Effects Technicians (Italy): Beniamino Carozza,
Claudio Savassi, Duilio Olmi, Fausto Baldinelli,
Giancarlo Mancini, Gianni Indovino, Luigi Battistelli,
Marcello Coccia, Marino Erca, Massimo Nespoli, Michele
Borea, Simon Weisse
Special Effects Technician (UK): Dave McCall, Bob Hollow,
Brian Lince, Chris Corbould, Jamie Courtier, Martin Gant,
Norman Baillie, Peter Davey, Steve Hamilton, Tim Willis
2nd Unit Special Effects Technician (Spain): Manolo
Gómez
Special Effects Wiremen: Billy Howe, Bob Wiesinger, Kevin
Mathews
Special Effects Editor: Brian Mann
Special Effects Plasterer: Allan Croucher
Puppeteers: David Barclay, Jeff Felix
Model Unit
Animatronics Model Designers: Ian Whittaker, Jamie
Courtier, Stephen Onions
Model Supervisor: Martin Gant
Model Makers: Brian Cole, Jim Machin
Special Effects Modellers: Christine Overs, Valerie
Charlton
Special Effects Engineers: Frank Guiney, Leslie Wheeler
Director of Photography: Roger Pratt
Camera Grip: Peter Butler
Camera Assistant: Simon Fulford
Clapper Loader: Graham Martyr
Gaffer: Ted Read
Electricians: Barry Read, Stuart King, Vernon Connolly
Best Boy: Peter Lamb
Decor Artist: Robert Walker
Art Directors: Ken Court, Michael Lamont
Assistant Art Director: Mark Harris
Set Decorator: Gillian Noyes-Court
Art Department Assistant: Keith Horsley
Construction Manager: Tony Graysmark
Construction Supervisor: Peter Williams
Draughtsmen: Dennis Bosher, Neil Lamont
Art Department Runner: Simon Lamont
Sculptors: John Blakeley, Keith Short
Unit Driver: John Hollywood
VISUAL EFFECTS
Visual Effects Supervisors: Adriano Pischiutta, Antonio
Parra, Brian Mann, Kent Houston, Richard Conway
Visual Effects: Peerless Camera Co Ltd
Matte Camera: John Grant
Matte Painters: Bob Cuff, Doug Ferris, Joy Cuff, Leigh
Took
Matte Photographer Consultants: Stanley W. Sayer, Dennis
Bartlett
Motion Control: Kenneth Gray, Peter Tyler
Optical Effects Supervisor: Kent Houston
Optical Effects Coordinator: Martin Body
Optical Camera: Mike Ferriter, Andrew Jeffery, Doug
Forrest, Les Broughton, Nick Dunlop, Steve Cutmore, Tim
Ollive
Rotoscope Artists: Janice Body, Rashid Khares
DIGITAL EFFECTS
CG Technical Director: Giles Parker (uncredited)
Digital Artists: Alec Knox, Ben Hayden, Kim Aldis, Sheila
Dunn (all uncredited)
DESIGN AND SET
CONSTRUCTION
Production Designer: Dante Ferretti
Supervising Art Director: Massimo Razzi
Art Directors: Teresa Barbasso, Giorgio Giovannini,
Nazzareno Piana
Set Decorator: Francesco Lo Schiavo
Assistant Set Decorators: Atos Mastrogirolamo, Giovanni
Passanisi
Property Masters: Charles Torbett, Gianni Fiumi, Gianni
Fivino
Property Buyer: Bruno Tempera
Construction Manager (Italy): Luigi Sergianni
Construction Manager (Spain): Ramón Moya
Constructors: Angelo Tiberti, Bruno Colanzi, Domenico
Caponecchi, Gianpaolo Maiorana, Mario Pezzotti, Osvaldo
Caruso, Pietro Santarelli, Roberto Diamanti, Sergio Conti
Supervising Painter: Sante Barelli
Illustrator: Mauro Borelli
Sculpture Supervisor: Filomeno Crisara
Sculptors: Gianni Gianese, Salvatore Placenti
Title Graphics: Chris Allies
OTHER CREW
Script Supervisor: Nikki Clapp
2nd Unit Script Supervisor: Yuyi Beringola
Accountant (Italy): Enzo Sisti
Accountant (Spain): Santiago Debenito
Assistant Accountants: Luidi Camacho, Alberto De Stefani,
Carla Zacchia, Leandro Muslera, Maria Fiorito, Pauline
Granby
Production Assistants (Italy): Claudio Corbucci, Riccardo
Spada
Production Assistants (Spain): Manolo García, Gonzalo
Jiménez
2nd Unit Production Assistant (Italy): Paolo Merosi
Assistant to Terry Gilliam: Nyla Van Ingen
Production Assistant to Terry Gilliam (Spain): Salvatore
Mureddu
Production Assistant to Terry Gilliam (UK): Margarita
Doyle
Assistant To Producer: Daniella Edelburg
Assistant To Stratton Leopold: Janice Munro
Assistant To Terry Gilliam: Nyla Van Ingen
Assistants to Costume Designer: Alberto Spiazzi, Alfonsa
Lettieri, Carlo Poggioli
Production Secretaries: Andrea Costantini, Lisa Dasteel
Production Secretary (Spain): Yolanda Marqueríe
2nd Unit Production Secretary (Spain): Doriana Bonora
Transportation Manager (Italy): Remo Ubertini
Transportation Manager (Spain): Francisco Ardura
Unit Publicists: Eugene Rizzo, Grady Clarkson, Klaus
Schuhly
Choreographers: Giorgi Rossi, Pino Pennesi
Assistant Choreographer: Raffaela Giordani
Horse Master: Tony Smart
Pre-Production Coordinator: Daniela Merlo
Production Runner (Italy): Massimiliano Mazzini
Production Runner (Spain): Tino Torrescusa
Dialogue Coach: Jan Green
LOCATIONS
Locations: Belchite, Zaragoza, Spain
2nd Unit Location Manager (Spain): Pepe Panero
STUNTS
Stunt Coordinator: Tony Smart
Stunt Coordinator (Italy): Riccardo Mioni
Stunts: Leslie Maryon, Stefano Maria Mioni (uncredited),
Angelo Ragusa, Billy Horrigan, Dinny Powell, Jesus Riaran
Torres, Kiran Shah, Riccardo Cruz Moral
2nd Unit Stunts: (Spain): Salvador Marios, Camilo Vila
Novoa, Eduardo García, José Garcia, Luis Gutiérrez,
Paquito Gomez
CASTING
Casting: Francesco Cilieri, Irene Lamb, Margery Simkin
CAST
John Neville (Baron Munchausen)
Sarah Polley (Sally Salt)
Jonathan Pryce (Horatio Jackson)
Oliver Reed (Vulcan)
Winston Dennis (Albrecht/Bill)
Eric Idle (Berthold/Desmond)
Charles McKeown (Adolphus/Rupert)
Jack Purvis (Gustavus/Jeremy)
Uma Thurman (Venus/Rose)
Ray D. Tutto (rn: Robin Williams) (King of the Moon)
Valentina Cortese (Queen Ariadne/Violet)
Bill Paterson (Henry Salt)
Peter Jeffrey (the sultan)
Sting (rn: Gordon Sumner) (heroic officer)
Alison Steadman (Daisy)
Ray Cooper (functionary)
Don Henderson (Commander)
Andrew MacLachlan (Colonel)
Mohamed Badrsalem (executioner)
Kiran Shah (executioners assistant)
Ettore Martini (1st General)
Jose Lifante (Dr Death)
Franco Adducci (treasurer)
Antonio Pistillo (2nd General)
Michael Polley, Tony Smart (gunners)
Terry Gilliam (irritating singer - uncredited)
PLOT SUMMARYBaron Munchhausen spins
a fantastic story of how he, a group of unlikely
associates and a young girl get caught up in the defence
of a town from the Turkish army. He claims to have been
swallowed by a giant sea-monster, taken a trip to the
moon where he meets the lunar ruler, danced with Venus
and had a narrow escape from the Grim Reaper. But how
reliable is the Baron's account - just how much of it is
true and how much is fantasy?
CAPSULE REVIEWAfter the truly stunning
Brazil (1985), it seems almost
inconceivable that Gilliam's boundless talents could come
up with something as visually sumptuous but emotionally
unengaging as this massively over-budgeted folly. The
film is disastrously over-long and if the well-publicised
bust up with his finance company hadn't forced Gilliam to
curtail some of his excesses, God alone knows how long it
would have gone on for. There are some excellent
set-pieces and at least two riotously enjoyable
performances (Williams - credited as Ray D. Tutto - as
the manic King of the Moon and Reed as the even more
manic Vulcan) but what it seriously lacks is a point.
Baron Munchhausen is an expensive spectacle of noise and
light with no real plot to speak of. It doesn't add up to
all that much and it's a curiously uninvolving film, one
that tries desperately hard but which never quite makes
the grade.
AVAILABILITYArgentina
Video Distributor: LK-TEL
Germany
DVD Distributor: Columbia/Tristar (11774)
UK
Theatrical Distributor: Columbia/Tri-Star
Video Distributor: RCA-Columbia
USA
Theatrical Distributor: Columbia
Video Distributor: RCA-Columbia
Laserdisc Distributor: Criterion (CC 1281L; includes -
audio commentary by Terry Gilliam); Columbia/Tristar
(76986); RCA/Columbia (50156)
DVD Distributor: Columbia/Tristar (76989)
CENSORSHIP HISTORYArgentina
Rating: 13
Chile
Rating: 14
Finland
Rating: K-12/9
France
Rating: U
Germany
Rating: 6
Sweden
Rating: 11
UK
Rating: PG
USA
Rating: PG
AWARDS1990
Academy Awards, USA
Best Art Direction-Set Decoration (Dante Ferretti,
Francesca Schiavo) - nominated
Best Costume Design (Gabriella Pescucci) - nominated
Best Effects, Visual Effects (Richard Conway, Kent
Houston) - nominated
Best Makeup (Fabrizio Sforza, Maggie Weston) - nominated
British Academy
Awards
Best Costume Design (Gabriella Pescucci) - winner
Best Make Up Artist (Pam Meager, Fabrizio Sforza, Maggie
Weston) - winner
Best Production Design (Dante Ferretti) - winner
Best Special Effects (Richard Conway, Kent Houston) -
nominated
Hugo Awards
Best Dramatic Presentation - nominated
Italian National
Syndicate of Film Journalists
Silver Ribbon: Migliore Fotografia (Giuseppe Rotunno) -
winner
Silver Ribbon: Migliori Costumi (Gabriella Pescucci) -
winner
Silver Ribbon: Migliore Scenografia (Dante Ferretti) -
winner
Young Artist
Awards
Best Family Motion Picture Family: Musical or Fantasy -
nominated
Best Young Actress Starring in a Motion Picture (Sarah
Polley) - nominated
TIMELINE1988
December
8: West Germany - theatrical release
1989
March
8: France - theatrical release
10: USA - theatrical release
17: UK - theatrical release
May
11: Argentina - theatrical release
August
1: Italy - theatrical release
September
8: Finland - theatrical release
December
1: Sweden - theatrical release
1992
November
20: USA - laserdisc release (Criterion (CC 1281L))
1995
May
9: USA - laserdisc release (Columbia/Tristar (76986))
1999
April
27: USA - DVD release (Columbia/Tristar (76989))
October
1: Germany - DVD release (Columbia/Tristar (11774))
POSTER TAGSRemarkable. Unbelievable. Impossible. And
true.
Adventure, Comedy, Romance. He was full of
it.
A true story. We've got the film to prove
it.
Bull. He was full of it.
ALTERNATIVE TITLESDie Abenteuer des Baron von
Münchhausen - German title
Las aventuras del barón Munchausen -
Spanish title
Paroni von Münchhausenin seikkailut -
Finnish title
Les aventures du baron de Munchausen -
French title
Münchausen báró kalandjai - Hungarian
title
Le avventure del Barone di Munchausen -
Italian title
Przygody barona Munchausena - Polish
title
Baron Münchhausens äventyr - Swedish
title
LINKSSEE ALSO
The Adventures of Baron Munchausen (1929)
The Adventures of Baron Munchausen (1947)
Adventures of Baron Münchausen (NO DATE)
Les aventures de baron de Munchhausen (1911)
Avventure del Barone di Münchausen (1914)
Baron Munchausen (1909)
Baron Munchausen (1962)
Baron Prásil (1961)
Münchhausen (1943)
REFERENCESMAGAZINES
Cinefantastique July 1989
pp.44-45, 59 (USA)
illustrated article
Fear March/April 1989
p.37 (UK)
review
Flickers 'n' Frames 6 p.3
(UK)
review
Network Video no.8 p.6
(UK)
review
New Musical Exress 18
March 1989 p.25 (UK)
review
Photoplay March 1989
pp.16-19 (UK)
review
Première March 1989 p.17
(France)
review (by Thierry Decourcelle)
Strange Adventures Summer
Special 1989 (UK)
review
Studio March 1989 p.14
(France)
review (by Christophe D'Yvoire)
TV Guide 25 March 1989
p.50 (UK)
credits
BOOKS
The A-Z of Science Fiction and
Fantasy Films p.11
credits, review
The Adventures of Baron
Munchausen: The Screenplay by Charles McKeown
and Terry Gilliam (New York/London: Applause Theatre
Book Publishers (1989))
script
Creature Features Strikes Again p.12
credits, review
Elliot's Guide to Films on Video p.6
credits, review
Elliott's Guide to Home
Entertainment (4th Edition) p.5
credits, review
The Encyclopedia of Fantastic Film
p.4
credits
Hoffman's Guide to SF, Horror and
Fantasy Movies 1991 - 1992 pp.15-16
credits, review
Horror and Science Fiction Films
Volume IV pp.3-4
credits
Losing the Light: Terry Gilliam
and The Munchausen Saga by Andrew Yule (New York
City: Applause Books (1991))
production notes
Psychotronic Video Guide p.5
credits, review
Shock Xpress Book 1
pp.125, 166
review
Video Source Book 13th Edition (1992)
Volume 1 p.27
credits
Virgin Film Yearbook 8
pp.16-17, 23-25
credits, review
KEYWORDSbattering
rams; book into film; sea monsters; the moon; space travel; hot
air balloons; greek mythology; the grim reaper
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